My attitude to the work of Yesenin. My attitude to Yesenin's work is any essay on the topic

23.09.2020

It is difficult to find a person who would not be familiar with the work of the great Russian lyricist - Sergei Yesenin. His poetry is so deep, tender, emotional that from the first lines you immerse yourself in poems and leave them in your heart forever.

Yesenin's biography is quite controversial. From many works we learn about his wild life, we know that the author was popular with women, and he himself was very amorous. But at the same time, we see a wonderful person, a lyricist, a man whose heart is overflowing with love for the Motherland and respect for a woman.

In almost every poem, the poet describes the beauty of the Motherland, its boundless expanses, the pleasant noise of greenery, slender birch trees and blue lakes. At any time of the year, going through difficult times, going on the path of revolution, Russia has always been beautiful for the author. He admired her, but at the same time, the thought of the difficult and harsh fate of his native country did not leave him. Yesenin's poetry is deeply patriotic, but it retains a special style that is inherent in the lyric poet.

Speaking of Yesenin's poetry, it is impossible not to mention his poems about love. The love lyrics of the poet are my favorite part of the works, which are always read in one breath. A special understanding of the relationship between a man and a woman came to the poet in last years life. It is a mature view of love that is shown in the collection of poems "Persian Motives". In the last years of his life, the poem “Letter to a Woman” was written, in which, it seems to me, the author asks for forgiveness from all the ladies whom he once loved, but could not save love.

Of all the poet's works, I like Yesenin's poems about love the most. One of

The best collections of his love lyrics is the famous cycle "Persian Motifs" (1924-1925). It reflected the impressions of the poet's trip to Azerbaijan. The poems included in the cycle (“Shagane you are mine, shagane ...”, “Hands of a sweetheart are a pair of swans”, “You said that Saadi ...”, “There are such doors in Khorossan”, and so on) express feelings of love in its various manifestations. Yesenin is interested in various shades and variants of a love feeling: jealousy, sadness, love languor, betrayal, lovemaking. In this collection, a lyrical image of a beautiful Persian woman appears, in whose eyes the hero "saw the sea blazing with blue fire."
The female image of the “Persian motives” is collective. All the heroines of the cycle - Shagane, Helia, Lala - are beautiful and amazing, just like their homeland. The mysterious country of Persia attracts Yesenin with its unusual morals, the exotic nature, and the mystery of women. But, admiring the amazing Persia, the lyrical hero does not cease to yearn for his homeland.

Yesenin's poems about the Motherland are also beautiful. Reading them, you are amazed at the conflicting feelings that torment the soul of the poet. He's up last days remained with the dear old living village, as evidenced once again by the poem “The feather grass is sleeping. “. In it, Yesenin, as if in spite of everything, conjures: “I still remained a poet of a golden log hut.”

Yesenin's poems are followed by his time, his era. Yesenin's unique song word has been living for almost a century, but everything that he sings deeply touches each of us. A person who has touched poetry becomes richer in soul, for there is nothing more beautiful than love for one's native land.

Trembling about his homeland, perfectly understanding all its problems, Yesenin could not help but note the terrible changes taking place in the country. He could not turn a blind eye to the possible consequences of these changes. In his lyrics, the poet tried to warn his contemporaries that a person cannot live without his native land, without his roots.

Sergei Yesenin is an incredibly interesting poet, with his own special creative destiny. Yesenin began his career in literature as a typical self-taught peasant, and ended it as a great Russian poet. He left us a great poetic legacy. His language is very rich and interesting.
In his work, Yesenin touched on many topics: love, Motherland, Russian nature, revolution ... He wrote beautiful, sometimes avant-garde, sometimes romantic, sometimes angry and ironic, but always close and understandable poems to the reader.
Yesenin is called "the poet of the Russian village." It is impossible not to notice the sad love for his native country, which in the poet's thoughts was a free, green, endless meadow with fragrant flowers. The image of the "Russian guy" was formed by Yesenin from the very beginning of his career. For his first public performance in 1915, his friends advised him to wear a white shirt with silver embroidery and take a country harmonica with him ...
Of all the poet's works, I like Yesenin's poems about love the most. One of the best collections of his love lyrics is the famous cycle "Persian Motifs" (1924-1925). It reflected the impressions of the poet's trip to Azerbaijan. The poems included in the cycle (“Shagane you are mine, shagane ...”, “Hands of a sweetheart are a pair of swans”, “You said that Saadi ...”, “There are such doors in Khorossan”, and so on) express feelings of love in its various manifestations. Yesenin is interested in various shades and variants of a love feeling: jealousy, sadness, love languor, betrayal, lovemaking. In this collection, a lyrical image of a beautiful Persian woman appears, in whose eyes the hero "saw the sea blazing with blue fire."
The female image of "Persian motives" is collective. All the heroines of the cycle - Shagane, Helia, Lala - are beautiful and amazing, just like their homeland.

Each of the poets comes to us in his own way: someone is remembered by the wonderful melody of poetic lines, someone enters the soul with the tenderness of feelings, someone is carved by a loud slogan, stable principles, someone - by expressive images and the uniqueness of an innovative face.

Yesenin came to me with charming pure colors. Languages with a brand new brush drew a line of extremely clear color - and everything around was renewed, shone, remembered forever.

Weaved out on the lake the scarlet color of dawn...

Blue fire swept -

Blue evening, moonlit evening.

Such an endless chain of winter, autumn, evening, morning flowers I meet only in Yesenin's poems.

Even White color he has an unusual

Everything will pass like smoke from white apple trees ...

White birch under my window

Covered with snow, like silver.

On fluffy branches

snow border

Brushes blossomed

White fringe.<...>

And the dawn, lazily going around,

Sprinkle the branches with new silver.

In general, all nature: trees, bushes, the sky, even the seasons - simply (no, perhaps not simply, but magically!) Comes to life under his pen, illuminating in a new way what he has seen so many times and suddenly - completely new, unusual, and most importantly, living, sensitive, addressing us:

The golden grove dissuaded

Birch cheerful language ...

In the garden, a fire of red rowan is burning,

But he cannot warm anyone.

You are my fallen maple, icy maple,

Why are you standing, bent over, under a white blizzard?

He drowned in a snowdrift, freezing his leg ...

Each time it is like a revelation, like a poetic flash, which evokes such a visual, auditory image, raises a whole range of feelings. It seems that you, too, become at least a little involved in the mysterious, enchanting realm of Poetry...

But for me, Yesenin is not only melody and colors. Read and listen here:

Are you still alive, my old lady?

I lived too. Hello you, hello!

Let it flow over your hut

That evening unspeakable light.

I am a purely urban resident, so to speak, an urbanist. The houses are familiar to me only from books and some children's fiction-representations. But I will hear these lines - as if next to me in the twilight and a strange and dear at the same time grandmother "in an old-fashioned dilapidated shushun", and somewhere nearby Pushkin's Arina Rodionovna and Alyosha Peshkova's grandmother, my own grandmother Olya, how many of them are familiar and unfamiliar, kind and reliable women who will protect and warm, and will never betray, and will wait from any campaign. As always, the mother of Sergei Yesenin waited and accepted her unlucky, talented and world-famous son.

And this is well known:

“Give me a paw, Jim, for good luck!”

This is Yesenin, as with a person, talking to the dog of the actor Kachalov. There are moments in life when it seems that no one understands you, except for your own little animal, which trustfully listens to you. And sometimes, she herself is waiting for affection and sympathy, as in the lines that I can’t calmly read and don’t read aloud:

A month appeared to her over the hut

One of her puppies...

Maybe it's because I also love dogs and I also perceive my Jinka, Mickey and Tobika as people.

And now I discovered Yesenin of searches and doubts, and he became closer and dearer to me from this pain:

I'm full of smoke

Broken in a storm

That's why I'm tormented that I don't understand

Where does the rock of events take us...

And there is also the charm of the poem "Anna Snegina" with such a frank and sweet:

They were far cute!

That image in me has not faded away.

We all loved during these years,

But that means they loved us too ...

I will not say that Yesenin is the most important poet for me, but I feel good with a volume of his poems. Somehow light and gentle on the soul ...

Sergei Yesenin is one of the most famous poetic names in Russian literature of the 20th century. In his short three decades, the poet was able to reflect in his works the most significant moments in the history of the country, which did not always lead to the much-desired "bright future". Perhaps for this reason, in Yesenin's poetry, one of the main ones is a unique worldview, full of tragedy and at the same time a subtle vision of the surrounding nature.

The meaning of the Motherland for the poet

In an essay on Yesenin's work, a student can emphasize: this feature of the poet's work can be explained by the fact that Yesenin's life passed at the junction of two eras - Russian Empire, which was a thing of the past, and the emergence of a new state, where the old order had no place. Revolutionary coup of 1905, First World War, complex Civil War- all these events endlessly tormented long-suffering Russia. And the poet, like no one else, felt the whole tragedy of this situation and was able to reflect it with the help of his literary talent. Thus, the theme of the Motherland in Yesenin's work has become one of the main ones.

In almost every of his works, Yesenin describes the beauty of his native nature. It is beautiful for a poet at any time, even in an era of difficulties that have befallen the country. Yesenin admired the Motherland, but the thought of the severe suffering that followed the revolution did not leave him. Therefore, the works of the poet can rightfully be called patriotic.

Relation to the revolution

One of his most bitter confessions can be found in the work "I am the last poet of the village." It sounds deep pain because of the death of the peasant life, which he sang at all stages of his work. In an essay on Yesenin's work, a student may mention that Yesenin was a supporter of October revolution, but later realized: she did not bring in everyday life people of freedom and wealth. On the contrary, these events further exacerbated the situation ordinary people. The peasants became even more disenfranchised. And most importantly, the revolution brought development to cities, and hence the gradual degeneration of traditional rural life.

Farewell to my beloved village

The poet says goodbye to the village in many of his works. He feels that his time has passed. This is especially well heard in such bitterly filled lines:

“Soon, soon wooden clock

croak my twelfth hour!”

Yesenin, in fact, became one of the last poets who sang of the passing era. The poet has a conflict with a new country. The theme of the Motherland in Yesenin's work - one of the main ones - now becomes at the same time the most painful. After all, in it the poet feels like a complete stranger. In addition, Yesenin did not know where the Motherland was being led, in what direction political events were taking place, and how all this would affect his beloved village. With bitterness, Yesenin writes about farewell to rural Russia: “Yes! Now it's decided! No return…” He says goodbye to his native fields and anticipates his death "on Moscow's crooked streets." In the works written in the last years of his difficult earthly journey, one can find a poetic glorification of nature, in which at the same time there is bitterness about a past life full of happiness.

Premonition of your death

Particularly tragic are the works that were written in 1925, the last in Yesenin's life. He seemed to have a premonition of his imminent death, saying goodbye to his close relatives. In poetry, Sergei Alexandrovich admitted that he was ready to leave forever. This feeling was most clearly reflected in his poem "Goodbye, my friend, goodbye." December 28, 1925 Yesenin dies, leaving behind a whole train unsolved mysteries. He was the last poet who in his work sang the traditional rural patriarchal way of life and careful attitude to mother nature. The rural life described in Yesenin's poems was replaced by completely new rules and laws, the establishment of which the poet himself was so afraid of.

Persian motifs in the work of Yesenin. Collection

The essay on Yesenin's work must also be supplemented with information about the role played by oriental motifs in the poetry of Sergei Alexandrovich. Persia became a real Mecca for the poet, which inspired him to write a cycle called "Persian Motifs". One of the goals of Yesenin's life was the worship of the graves of Persia. The poet dreamed of visiting Shiraz. He was sure that a real miracle would happen to him in these parts: his soul would be able to respond to everything he saw and heard in this unique “land of roses”. Yesenin himself knew the charm of Persian lyrics. Many of the works written by him reflect the dreams of the mysterious east, with the help of which the poet wanted to touch a completely different, magical world. However, even in these works it is mentioned more than once and native nature. No matter how the poet dreams of exotic eastern lands, the Motherland always remains for him the one and only.

Desire to visit Persia

In an essay on Yesenin's work, one can indicate that the poet walked for several years to his adored East. He believed that one of the components necessary for poetic mastery is the development of the ancient oriental classical literature. Yesenin spent the winter months of 1924-1925 in Batumi. There he met a teacher named Shagane Talyan, to whom he dedicated several of his works. For example, the poem "Shagane you are mine, Shagane" was also included in the cycle "Persian motives". In September 1924, the poet left for the fourth time in the Caucasus, driven by the desire to finally visit the mysterious Persia. However, this dream of Yesenin, unfortunately, did not come true.

Periodization of the poet's work

As for the stages of Yesenin's work, there are several different options for the periodization of the life and work of the Russian poet. One of the generally accepted points of view is the concept of B. Rosenfeld, according to which the whole life of a poet can be conditionally divided into five periods:

The first phase lasts from 1914 to 1919. This is a pre-revolutionary stage in his work. This stage includes poetry collections "Radunitsa", "Dove". The theme of love in Yesenin's work practically does not arise at this stage. However, a work of 1916, demonstrative in this respect, is already appearing under the title "Do not wander, do not crush in the crimson bushes ...". In it, the image of the beloved merges with the image of native nature.
The second and third stages (lasting from 1919 to 1922) reflect the poet's reaction to the events of the revolution. The second stage is characterized by a positive perception of change, the third - negative. The collections "Transfiguration", "Triptych", the play "Pugachev" belong to this period.
The fourth stage lasts from 1922 to 1923. The works at this stage relate mainly to narrowly personal lyrics. The main collection is "Moscow Tavern". However, already in these years of Yesenin's work, he becomes "the last poet of the village", turning into a witness to "Rus leaving".
The final stage lasts from 1923 to 1925. The main poetry collection is "Soviet Russia". His works reflect Yesenin's attitude to the new reality in the country.

The theme of love in the poet's work

Artistic consciousness usually experiences feelings much more sharply. And love for a poet can become both the greatest happiness and a source of suffering. Lyrical hero Yesenin's works have a passionate and captivating character. At the same time, one of the main features of the poet's lyrics is the reflection of inner experiences through the description of nature. For example, such is the work “You are my fallen maple, icy maple”. The poet dedicated some of his most profound works to A. Ya. Miklashevskaya. These are poems from the cycle "Love of a bully." love theme also widely disclosed in the collection "Persian Motifs".