Who is the main character of the story poor Lisa. Review: Heroes poor Lisa

Nikolai Mikhailovich Karamzin is the largest historian of his time, as well as a writer of the era of sentimentalism.

Karamzin's work interested me, since he is such a versatile and amazing person that Russian people simply have to know about the activities of their compatriot. Karamzin was a poet, journalist, public figure and reformer of the Russian literary language.

He was born on December 1, 1766 in a noble family near Simbirsk, and therefore he received a good education. At first he studied in a private boarding school of his hometown, and later in Moscow in the boarding house of I. M. Shaden, after which he entered Moscow University. After serving a year after university in the Preobrazhensky Regiment, he devoted himself entirely to literature, and later to historical essays.

In 1792 was written " Poor Lisa", which was the first work of that time written in the genre of Russian prose

"Poor Lisa" Plot

The narration of this story begins thirty years after the events. His memories take place in Moscow near the Simonov Monastery, where once a peasant girl Liza lived in a poor house with her mother. They lived in poverty, as their husband and father died long ago and there was no one to help. At the age of fifteen, Lisa had to weave canvases, knit stockings, and sell all sorts of things in Moscow. On one of those days, while selling lilies of the valley in Moscow, she met Erast. Erast bought her flowers and wanted to give a whole ruble for them, but the girl did not take such a large fee, but took only the real cost of a bunch of a few kopecks. This artlessness and simplicity of the grandfather interested Erast. A day later, he appeared under the windows of her hut. Soon, the young nobleman and the peasant girl began to meet often, confessed their love to each other. So a week passed. A week later, Lisa told Erast that her mother was forcing her to marry another, the one who had proposed to her. But for her it is unbearable, because she loves her Erast.

Since then, their love has become even stronger, and the girl, not knowing what she was doing, gave Erast her innocence. Since then, Erast's interest in Lisa began to gradually fade away, as happens with those who got what they wanted. She no longer captivated him as much, as she ceased to be a pure angel. Less and less he began to see her and, finally, said that he would not come to her for a while, as things military service they require it. Lisa believed him and said goodbye with tears.

After some time, the poor girl met a carriage with Erast in Moscow, but he coldly informed her that he was engaged to another and soon the wedding, gave Liza a hundred rubles of money and sent her home. He himself was forced to marry a rich old widow. Poor Liza could not endure her grief and threw herself into the river, where she immediately drowned. The mother, having learned about what happened to her daughter, also died of grief. The hut is empty.

On such a tragic note, this work ends. Nobody has happiness.

The characters in this work are simple people. The peasant woman Lisa and her mother, the nobleman Erast, and the narrator, who tells about the unfolding events. The story is sad and even tragic.

So Lisa is a poor peasant woman fifteen years old. This is an honest girl who worked from dawn to dusk, earning a living for herself and her mother. With all her heart she fell in love with Erast. When he confessed his love to her, her heart and soul were given to him forever. She fulfilled all the desires of her lover, and therefore ceased to be interesting to him. The tragedy of this work is not only that the young nobleman defamed the girl, depriving her of innocence, but that he abandoned her in the end.

I think that even if Lisa had not lost her innocence at the moment when she found out that her beloved was engaged to another, she would have drowned herself anyway, since she could not imagine happiness with another.

Erast is a young nobleman. He has a good heart, and therefore stops near Lisa for the first time. However, the character of the young man is windy, capable only of entertainment and revelry. Communication with a poor girl is interesting to him only at first, as a new extraordinary adventure in his life. At first, he perceives Lisa as a bright angel of purity. However, as soon as all the desires of the young man were satisfied, the halo of magic immediately flew off, and the girl became ordinary, like many others. Again, Erast became interested only in revelry and cards. The lost estate and the resulting debts were the result of his rampant lifestyle. Erast is also unhappy, as he is forced to marry an old widow only to get rid of debts.

The main character in this story is the narrator. No, this is not a story on behalf of Karamzin, this is a separate actor. It is his memoirs that we read. The narrator describes the beauty of Moscow very beautifully, especially the Simonov Monastery.

Since the work "Poor Lisa" is sentimental prose, we often read about how everyone takes turns crying from an overabundance of feelings. And the mother, and Liza, and even Erast are too sensitive heroes. However, despite such tearful pages, I really liked the work.

This work is recommended for study at school in the ninth grade. I believe that at this age it is the right time to study such works, since girls at this age should already think about their honor and have a correct judgment about it. Therefore, the story of Liza is, of course, tragic, but useful for young girls to read. After all, a girl must observe herself in purity and innocence.

Young men should also understand the dangers of a riotous lifestyle. After all, Erast drove himself into a debt hole. I had to work myself, like a real man, and not spend all my time on entertainment events.

I would like to compare this work with foreign work Shakespeare's Romeo and Juliet. In this work, the lovers are also young, like Erast and Lisa, and the ending of their story is also tragic. Here, however, Erast actually remains alive, but the feeling is that he, too, seemed to have died. After all, marrying an old woman is like burying yourself alive. So I feel sorry for poor Erast too. After all, he cannot be called a completely negative character. He has a kind, sympathetic heart, does not spare money for his beloved and is ready to buy every day all her knitted socks and all flowers sold. We must pay tribute to Lisa, who does not seek to take extra money from her lover. She takes exactly what she earns. So why are two lovers with a lot of virtues and positive qualities, waiting for such a difficult and tragic ending?! I believe that the frivolity and spinelessness of Erast is to blame. Liza's mother can also be blamed for such a finale, who, after the death of her father, gave up so much that the poor girl had to earn money for both of them herself. In addition, the mother saw Erast more than once and knew about the relationship between two young hearts, so she could warn her daughter about the possible expected consequences of the meetings of a man and a girl in private.

Characteristics of the hero

Lisa is a poor peasant girl. She lives with her mother (a "sensitive, kind old woman") in the countryside. To earn a living, Lisa takes on any job. In Moscow, while selling flowers, the heroine meets the young nobleman Erast and falls in love with him: "having completely surrendered to him, she only lived and breathed with him." But Erast betrays the girl and marries another for money. Upon learning of this, Lisa drowns herself in the pond. The main feature in the character of the heroine is sensitivity, the ability to love devotedly. The girl does not live by reason, but by feelings (“gentle passions”). Lisa is kind, very naive and inexperienced. She sees only the best in people. Her mother warns her, "You don't know yet how evil people can offend a poor girl." Lisa's mother associates evil people with the city: “My heart is always out of place when you go to the city ...” Karamzin shows bad changes in Lisa’s thoughts and actions under the influence of the depraved (“urban”) Erast. The girl hides from her mother, whom she used to tell everything, her love for the young nobleman. Later, Lisa, along with the news of her death, sends the old woman the money that Erast gave her. "Lizina's mother heard about the terrible death of her daughter, and ... - her eyes were closed forever." After the death of the heroine, pilgrims began to walk to her grave. To the place of Liza's death came to cry and grieve the same unfortunate girls in love, as she herself was.

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"Poor Lisa" - perhaps the calling card of Nikolai Mikhailovich Karamzin. This story was written at the end of the 18th century - in the era of the heyday of the literary fashion for sentimentalism.

A few words about the plot of the story

Lisa's story is definitely a sad one. Having lost her father, Liza, the main character of the story, is forced to part with her usual way of life at one moment. She has no one else to rely on but herself.

Lisa is forced to sell flowers in order to be able to feed herself. Once, while selling lilies of the valley on the streets of Moscow, the girl meets her love - Erast.

A handsome young aristocrat, Erast falls in love with Lisa. In a fit of passion, he is ready to do anything for her, even to lose his position in the social hierarchy of their environment. However, having received Lisa's innocence and her heart, Erast realizes that she is no longer of his former interest to him.

The girl is left alone, and her lover leaves with the regiment. But one day - after a few months - Lisa again finds herself in Moscow and accidentally notices Erast: he drives by in a luxurious carriage in the company of a certain rich widow. From the text of the story it becomes clear that the young man squandered all his fortune, lost his estate and was forced to agree to a profitable party for marriage. Desperate, Liza rushes into the pond and dies. All that remains are memories of how once - not so long ago - lovers walked here, near this very pond, naive and happy.

On the originality of sentimentalism

Of course, it is impossible to characterize the work, designated as one of the brightest examples of sentimentalism, without a few words about the originality of this trend. Its very name speaks of the importance of feelings, which are declared here as the highest value. Much attention is paid Everyday life people, to what, before this turn in literature, remained behind the scenes. What kind of person is interesting to a sentimentalist writer? This is, of course, a simple person and his inner world.

The main characters of the story

It is curious that there are not so many main characters in this work. The main character is a peasant girl Lisa, reflections on which are associated with landscapes of decline and dilapidation, the abandonment of the monastery monastery. Lisa is a vivid example of the ideal heroine of a sentimental novel. She is materially poor, but spiritually rich. Her inner world, like the world of romance, is directly opposite to the limitations of the outer world: a bottomless, deep, sensual, open and limitless inner world.

The girl lives with her mother in a village near Moscow. Once upon a time, Lisa's family was not so poor, because the most difficult times for Lisa and her mother came in connection with the death of the breadwinner - the girl's father.

Lisa's mother is also, one way or another, at the center of the story. She is an elderly woman who sincerely hopes that Lisa will be able to profitably marry.

Actually, Lisa's mother is not a selfish woman: she simply wishes her daughter happiness, which at that time was thought inseparably from the ability to make a successful party. The unfortunate woman was already too weak to work as in the old days, and therefore Lisa did not shun any work: she was a jack of all trades - she knew how to weave, knit stockings, picked and sold berries in the fall, and flowers in the spring.

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Along with the lack of egocentric qualities, one can note such traits of Lisa as purity, devoted love and the ability to care, not wanting to receive anything in return. These features of Lisa, as well as her openness to the world, prevent her from seeing darkness in people: she believes that all people are good and cannot accept her mother’s words that the world consists of polarities, and good is always complemented by bad. The mother was very kind and sensitive, like her daughter, but she could not make Lisa's life easier: her health no longer allowed her to work, in addition, her eyesight was weakening, and gradually her daughter took the place of a nurse in the family. It is curious that after meeting Erast Lizin, his mother spoke of him extremely warmly and affably, as the young man suggested that Liza take the work done on her own so that she would not go to the city too often. After the death of her daughter, the old woman dies, unable to withstand the blow.

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Finally, Erast is Lisa's lover, who later betrayed her, like the girl's love. Erast is an extremely ambivalent character. He has his own merits: this is an outstanding and sharp mind, a noble origin, external attractiveness and a kind, soft heart. But these virtues were sometimes blocked by his shortcomings: windiness and frivolity, weak will, which pushed the young man to gambling, secular pleasures and a depraved, morally reprehensible way of life. His frivolity does not allow him to find peace of mind with any one girl. Lisa does not know that the young nobleman falls in love and is carried away just as easily as she is later disappointed.

So it happened with Lisa: when he won the heart and body of the girl, she lost her former charm for him. Liza, however, had a chance to have a completely different life: once a wealthy peasant wooed her - a couple of a girl by status. However, Erast made enough efforts to dissuade Lisa from this marriage, showering her with promises to stay with her forever. Thus, Erast's ambivalence affects not only his life, leading to destructive processes in his inner world, but also affects the lives of the people around him.

A separate figure is the narrator. He is kind and sentimental, as if he collects images, but only those that evoke tenderness and a special kind of pain, sorrow and sadness. However, he builds a specific topography of the story.

So, the topography of "Poor Liza"

The work begins with a description of the abandoned atmosphere of the hill on which the old monastery stands. The Simonov Monastery, standing on a hill, thus opens up an amazing view of Moscow. The narrator draws us a map on which the events of the story will unfold. A dilapidated hut that is about to collapse, because the walls are all that is left of the former life. Its inhabitants have died, and the place in which their everyday life proceeded no longer causes anything but melancholic sadness. For more than thirty years no one else has lived here: however, the narrator remembers all the sad and mournful events that took place here. This is a place of memory and eternity.

Moscow, which is overlooked from the hill we have already mentioned, is a place of raging life, oblivion in the short duration of everything that happens here. Transience, brightness, "great hopes" and quickly forgotten disappointments - this is what Moscow brings to people.

The binarity of oppositions permeates all the structures of this story.

Results

Nikolai Karamzin, creating "Poor Liza", sought to look down and in depth: down - because the center of the work is not at all the nobles and high society, the heroes of past texts of Russian literature, but deep - because we are not talking about external events, not about the dynamics of successive circumstances, but about the development inner world. In fact, sentimentalist authors are making the same revolution in the question of anthropology that the Sophists and Socrates once did in antiquity. But the result remains simple - no matter what origin a person has, he is equally worthy of happiness.

The story "Poor Lisa", written by Nikolai Mikhailovich Karamzin, became one of the first works of sentimentalism in Russia. The love story of a poor girl and a young nobleman won the hearts of many of the writer's contemporaries and was received with great enthusiasm. The work brought unprecedented popularity to the then completely unknown 25-year-old writer. However, with what descriptions does the story “Poor Liza” begin?

History of creation

N. M. Karamzin was distinguished by his love for Western culture and actively preached its principles. His role in the life of Russia was enormous and invaluable. This progressive and active person traveled extensively in Europe in 1789-1790, and upon his return published the story "Poor Lisa" in the Moscow Journal.

Analysis of the story indicates that the work has a sentimental aesthetic orientation, which is expressed in interest in, regardless of their social status.

At the time of writing the story, Karamzin lived at the dacha of his friends, not far from which he was located. It is believed that he served as the basis for the beginning of the work. Thanks to this, the love story and the characters themselves were perceived by readers as completely real. And the pond near the monastery began to be called "Lizina Pond".

"Poor Lisa" by Karamzin as a sentimentalist story

“Poor Liza” is, in fact, a short story, in the genre of which no one wrote in Russia before Karamzin. But the writer's innovation is not only in the choice of genre, but also in the direction. It was behind this story that the title of the first work of Russian sentimentalism was entrenched.

Sentimentalism arose in Europe in the 17th century and focused on the sensual side of human life. Questions of reason and society went by the wayside for this direction, but emotions, relationships between people became a priority.

Sentimentalism has always sought to idealize what is happening, to embellish. Answering the question about what descriptions the story “Poor Liza” begins with, we can talk about the idyllic landscape that Karamzin paints for readers.

Theme and idea

One of the main themes of the story is social, and it is connected with the problem of the attitude of the nobility towards the peasants. It is not for nothing that Karamzin chooses a peasant girl for the role of the bearer of innocence and morality.

Contrasting the images of Lisa and Erast, the writer is one of the first to raise the problem of contradictions between the city and the countryside. If we turn to what descriptions the story "Poor Lisa" begins with, then we will see a quiet, cozy and natural world existing in harmony with nature. The city, on the other hand, frightens, terrifies with its “mass of houses”, “golden domes”. Lisa becomes a reflection of nature, she is natural and naive, there is no falsehood and pretense in her.

The author speaks in the story from the position of a humanist. Karamzin depicts all the charm of love, its beauty and strength. But reason and pragmatism can easily destroy this wonderful feeling. The story owes its success to the incredible attention to the personality of a person, his experiences. "Poor Liza" evoked sympathy from its readers thanks to amazing ability Karamzin to depict all the spiritual subtleties, experiences, aspirations and thoughts of the heroine.

Heroes

A complete analysis of the story "Poor Liza" is impossible without a detailed examination of the images of the main characters of the work. Liza and Erast, as noted above, embodied different ideals and principles.

Lisa is an ordinary peasant girl whose main feature is the ability to feel. She acts according to the dictates of her heart and feelings, which ultimately led her to death, although her morality remained intact. However, in the image of Lisa there is little peasant: her speech and thoughts are closer to the language of the book, however, the feelings of the girl who fell in love for the first time are conveyed with incredible truthfulness. So, despite the external idealization of the heroine, her inner experiences are conveyed very realistically. In this regard, the story "Poor Lisa" does not lose its innovation.

What descriptions begin the work? First of all, consonant with the character of the heroine, helping the reader to recognize her. This is a natural idyllic world.

Erast appears completely different to readers. He is an officer who is only puzzled by the search for new entertainment, life in the world tires and bores him. He is not stupid, kind, but weak in character and changeable in his affections. Erast truly falls in love, but does not think about the future at all, because Lisa is not his circle, and he will never be able to marry her.

Karamzin complicated the image of Erast. Usually such a hero in Russian literature was simpler and endowed with certain characteristics. But the writer does not make him an insidious seducer, but a sincerely fallen in love man who, due to weakness of character, could not pass the test and keep his love. This type of hero was new to Russian literature, but he immediately took root and later received the name "superfluous person."

Plot and originality

The plot of the story is pretty straightforward. This is the story of the tragic love of a peasant woman and a nobleman, the result of which was the death of Lisa.

What descriptions begin the story "Poor Lisa"? Karamzin draws a natural panorama, the bulk of the monastery, a pond - it is here, surrounded by nature, that the main character lives. But the main thing in the story is not the plot and not the descriptions, the main thing is feelings. And the narrator must awaken these feelings in the audience. For the first time in Russian literature, where the image of the narrator has always remained outside the work, the hero-author appears. This sentimental narrator learns the love story from Erast and retells the reader with sadness and sympathy.

Thus, there are three main characters in the story: Lisa, Erast and the author-narrator. Karamzin also introduces the technique of landscape descriptions and somewhat lightens the ponderous style of the Russian literary language.

Significance for Russian literature of the story "Poor Liza"

An analysis of the story thus shows Karamzin's incredible contribution to the development of Russian literature. In addition to describing the relationship between the city and the countryside, the emergence of an "extra person", many researchers note the emergence of " little man"- in the image of Lisa. This work influenced the work of A. S. Pushkin, F. M. Dostoevsky, L. N. Tolstoy, who developed the themes, ideas and images of Karamzin.

The incredible psychologism that brought world fame to Russian literature also gave rise to the story "Poor Liza". With what descriptions does this work begin! How much beauty, originality and incredible stylistic lightness are in them! One cannot overestimate Karamzin's contribution to the development of Russian literature.

Liza (Poor Liza) is the main character of the story, which, along with other works published by Karamzin in the Moscow Journal (Natalya, the Boyar's Daughter, Frol Silin, a Benevolent Man, Liodor, etc.), is not just brought literary fame to its author, but made a complete revolution in the public consciousness of the 18th century. Karamzin, for the first time in the history of Russian prose, turned to a heroine endowed with emphatically mundane features. His words "... and peasant women know how to love" became winged.

The poor peasant girl Liza is left an orphan early. She lives in one of the villages near Moscow with her mother - "a sensitive, kind old woman", from whom she inherits her main talent - the ability to love. To support himself and his mother, L. takes on any job. In the spring she goes to town to sell flowers. There, in Moscow, L. meets the young nobleman Erast.

Tired of the windy secular life, Erast falls in love with a spontaneous, innocent girl with the "love of a brother." So it seems to him. However, soon platonic love turns into sensual. L., “completely surrendering to him, she only lived and breathed them.” But gradually L. begins to notice the change taking place in Erast. He explains his cooling by the fact that he needs to go to war. To improve things, Erast marries an elderly rich widow. Upon learning of this, L. drowns himself in the pond.

Sensitivity - so on the tongue late XVIII in. determined the main merit of Karamzin's stories, meaning by this the ability to sympathize, to discover "the tenderest feelings" in the "bends of the heart", as well as the ability to enjoy the contemplation of one's own emotions. Sensitivity is also a central character trait of L. She trusts the movements of her heart, lives by "gentle passions." Ultimately, it is ardor and ardor that lead L. to death, but morally it is justified.

Karamzin was one of the first to introduce the opposition of the city and the countryside into Russian literature. In Karamzin's story, a village man - a man of nature - turns out to be defenseless, falling into urban space, where laws operate that are different from the laws of nature. It is not for nothing that L.'s mother says to her (thereby indirectly predicting everything that will happen later): “My heart is always out of place when you go to the city; I always put a candle in front of the image and pray to the Lord God that he save you from all trouble and misfortune.

It is no coincidence that the first step on the road to disaster is the insincerity of L.: for the first time she “retreats from herself”, hiding, on the advice of Erast, their love from her mother, to whom she had previously confided all her secrets. Later, it was in relation to his dearly beloved mother that L. would repeat the worst act of Erast. He tries to "pay off" L. and, driving her away, gives her one hundred rubles. But L. does the same, sending her mother, along with the news of her death, those "ten imperials" that Erast gave her. Naturally, L.’s mother needs this money just as much as the heroine herself: “Lizina’s mother heard about the terrible death of her daughter, and her blood cooled with horror - her eyes closed forever.”

The tragic outcome of the love of a peasant woman and an officer confirms the correctness of her mother, who warned L. at the very beginning of the story: “You still don’t know how evil people can offend a poor girl.” General rule turns into a concrete situation, poor L. herself takes the place of the impersonal poor girl, and the universal plot is transferred to Russian soil, acquires a national flavor.

For the arrangement of characters in the story, it is also essential that the narrator learns the story of poor L. directly from Erast and himself often comes to be sad at Liza's grave. The coexistence of the author and the hero in the same narrative space before Karamzin was not familiar to Russian literature. The narrator of "Poor Liza" is mentally involved in the relationship of the characters. Already the title of the story is built on the combination of the heroine’s own name with an epithet that characterizes the sympathetic attitude of the narrator towards her, who at the same time constantly repeats that he has no power to change the course of events (“Ah! Why am I writing not a novel, but a sad story?”).

"Poor Lisa" is perceived as a story about true events. L. belongs to the characters with a "registration". “... Increasingly, it attracts me to the walls of the Si ... new monastery - a memory of the deplorable fate of Liza, poor Liza,” - this is how the author begins his story. For a gap in the middle of a word, any Muscovite guessed the name of the Simonov Monastery, the first buildings of which date back to the 14th century. (To date, only a few buildings have survived, most of blown up in 1930). The pond, located under the walls of the monastery, was called Lisiny Pond, but thanks to the story of Karamzin, it was popularly renamed Lizin and became a place of constant pilgrimage for Muscovites. In the minds of the monks of the Simonov Monastery, who zealously guarded the memory of L., she was, first of all, a fallen victim. In essence, L. was canonized by sentimental culture.

First of all, the same unfortunate girls in love as L. herself came to cry at the place of Liza's death. According to eyewitnesses, the bark of the trees growing around the pond was mercilessly cut with the knives of the "pilgrims". The inscriptions carved on the trees were both serious (“In these streams, poor Liza passed away for days; / If you are sensitive, a passer-by, take a breath”), and satirical, hostile to Karamzin and his heroine (of particular fame among such “birch epigrams” was the couplet: "Erast's bride died in these streams. / Drown yourself, girls, there is enough space in the pond").

Karamzin and his story were certainly mentioned when describing the Simonov Monastery in guidebooks around Moscow and special books and articles. But gradually these references began to take on an increasingly ironic character, and already in 1848 in the famous work of M.N. heroine. As sentimental prose lost its charm of novelty, "Poor Lisa" ceased to be perceived as a story about true events, and even more so as an object for worship, but became in the minds of most readers (a primitive fiction, a curiosity, reflecting the tastes and concepts of a bygone era.

The image of "poor L." immediately sold out in numerous literary copies of Karamzin's epigones (compare at least Dolgorukov's "Unfortunate Lisa"). But the image of L. and the ideal of sensitivity associated with it received serious development not in these stories, but in poetry. The invisible presence of "poor L." tangibly in Zhukovsky's Rural Cemetery, published ten years after Karamzin's story, in 1802, which laid, according to V. S. Solovyov, "the beginning of truly human poetry in Russia". Three major poet Pushkin's time: E. A. Baratynsky (in the plot poem "Eda", 1826, A. A. Delvig (in the idyll "The End of the Golden Age", 1828) and I. I. Kozlov (in the "Russian story" "Mad", 1830).

In Belkin's Tales, Pushkin twice varies the plot outline of the story about "poor L.", reinforcing its tragic sound in " stationmaster” and turning it into a joke in “The Young Lady-Peasant Woman”. The connection between "Poor Lisa" and "The Queen of Spades", whose heroine is named Lizaveta Ivanovna, is very complex. Pushkin develops the Karamzin theme: his “poor Liza” (like “poor Tanya”, the heroine of “Eugene Onegin”) is experiencing a catastrophe: having lost hope for love, she marries another, quite worthy person. All the heroines of Pushkin, who are in the "force field" of the heroine of Karamzin, are destined to be happy or unhappy - but life. “Back to the Origins,” P. I. Tchaikovsky returns Pushkin’s Lisa to Karamzin, in whose opera The Queen of Spades, Liza (no longer Lizaveta Ivanovna) commits suicide by throwing herself into the Winter Canal.

The fate of L. in different versions of its resolution is carefully spelled out by F. M. Dostoevsky. In his work, both the word "poor" and the name "Lisa" acquire a special status from the very beginning. The most famous among his heroines - the namesakes of the Karamzin peasant woman - are Lizaveta ("Crime and Punishment"), Elizaveta Prokofievna Yepanchina ("The Idiot"), Blessed Lizaveta and Liza Tushina ("Demons"), and Lizaveta Smerdyasha ("The Brothers Karamazov"). But the Swiss Marie from The Idiot and Sonechka Marmeladova from Crime and Punishment would also not exist without Lisa Karamzin. The Karamzin scheme also forms the basis of the history of the relationship between Nekhlyudov and Katyusha Maslova - the heroes of Leo Tolstoy's novel "Resurrection".

In the XX century. "Poor Lisa" has by no means lost its significance: on the contrary, interest in Karamzin's story and his heroine has increased. One of the sensational productions of the 1980s. became the theatrical version of "Poor Lisa" in the theater-studio of M. Rozovsky "At the Nikitsky Gates".