Pig under the oak catchphrase. "Pig under the oak" - a fable with a complicated meaning

The name of the fable (1823) by I. A. Krylov (1769 1844). A pig, having eaten acorns, lies under an oak tree and gnaws at its roots, not realizing that it is destroying the tree that feeds it. To a warning that the tree could dry out from this, she replies: “Let it dry, ... ... Dictionary of winged words and expressions

pig under oak- Wed. Let it dry, says the Pig: I see little use in it; Even if you don’t have it for a century, I won’t regret it at all; If only there were acorns: after all, I get fat from them. Krylov. Pig under the Oak. Wed The ignoramus is also in blindness Defends science and learning, And all scientific works, Do not ... ...

Pig under the oak- Razg. Contempt. About ungrateful people destroying what they used to enjoy, the fruits of which they used to enjoy. /i> Name of the fable by I. Krylov (1825). Mokienko, Nikitina 2003, 297 ...

PIG- A mammal with a large body, short legs, an elongated muzzle, with a large cartilaginous nose with a snout. One of the most common pets. The word pig, according to some researchers, goes back to the ancient root su, which can ... ... Linguistic Dictionary

PIG- He will not divide the feed into three pigs. Narodn. Iron. About a stupid, stupid person. DP, 436. She won't feed the pigs. Sib. Neglect About the careless hostess. FSS, 118. You can’t go around on a pig (you can’t go around). 1. whom. Perm. About overly proud, arrogant ... ... Big dictionary of Russian sayings

PIG- PIG, and, pl. pigs, pigs, pigs, wives. 1. Artiodactyl non-ruminant animal with a large body and short legs. A family of pigs. Wild pigs. domestic pigs. 2. A domestic animal of such a family, bred for meat, lard, ... ... Explanatory dictionary of Ozhegov

domestic pig- This term has other meanings, see Pig (meanings). ? Domestic pig ... Wikipedia

for good do not expect good- Wed. The pig... I ate dosa acorns / that, to satiety... And began to undermine the roots of the Oak with its snout. Ungrateful! Oak said to her here; When you could lift your snout up You would have seen that these acorns are growing on me. Krylov. Pig under the oak. Wed… … Michelson's Big Explanatory Phraseological Dictionary

Orlov, Vasily Mikhailovich- Russian composer (1858 1901). His main works: "Peasant songs recorded in the Tambov province" (St. Petersburg, 1898); children's operas "The Fox and the Grapes", "The Pig under the Oak", "The Bullfinch and the Swallow", ... ... Big biographical encyclopedia

satiety- and satiety, adv. Until full saturation, until satiety. The pig under the age-old Oak Has eaten its fill of acorns, to satiety. I. Krylov, Pig under the Oak. || trans. To complete satisfaction, enough. Enough to walk around. □ I spent the rest of the evening near… … Small Academic Dictionary

Books

  • The funniest fables (MP3 audiobook), I. A. Krylov. Unlike his fabulist predecessors, Krylov does not prioritize morality in fables. His fables are satirical scenes, small comedy performances closely related to Russians ... Buy an audiobook for 233 rubles
  • I. A. Krylov. Fables (MP3 audiobook), I. A. Krylov. We bring to your attention an audiobook with the fables of I. A. Krylov. The collection includes such fables as "Crow and Fox", "Wolf and Lamb", "Monkey and Glasses", "Dragonfly and Ant", "Rooster and ...

Pig under the oak

Title of the fable (1823) I. A. Krylova(1769-1844).

A pig, having eaten acorns, lies under an oak tree and gnaws at its roots, not realizing that it is destroying the tree that feeds it. To the warning that the tree might dry out from this, she replies:

“Let it dry,” says the Pig, “

It doesn't bother me at all;

I see little use in it;

Even if you don’t be a century, I won’t regret it at all,

If only there were acorns: after all, I get fat from them.

A synonym for a limited, ungrateful and short-sighted person (iron., contempt.).

From the book Great Soviet Encyclopedia (BE) of the author TSB

From the book Great Soviet Encyclopedia (CI) of the author TSB

From the book Great Soviet Encyclopedia (MO) of the author TSB

From the book Great Soviet Encyclopedia (SV) of the author TSB

From the book Jewish Dietetics, or Deciphered Kashrut author Lyukimson Petr Efimovich

From the book Encyclopedic Dictionary of winged words and expressions author Serov Vadim Vasilievich

Chapter 10

From the book The Complete Encyclopedia of Our Delusions author

Pig under an oak tree Name of the fable (1823) by I. A. Krylova (1769-1844). A pig, having eaten acorns, lies under an oak tree and gnaws its roots, not realizing that it is destroying the tree that feeds it. To the warning that the tree might dry out from this, she replies: “Let it dry,” says the Pig,

From the book The Complete Illustrated Encyclopedia of Our Delusions [with illustrations] author Mazurkevich Sergey Alexandrovich

From The Complete Illustrated Encyclopedia of Our Delusions [with transparent pictures] author Mazurkevich Sergey Alexandrovich

Pig One day Piglet comes to Winnie the Pooh and says: - Congratulate me, Winnie! Today my portrait was painted! Look… - Oh, you look strange on it! Everything is divided into parts, and each part has its own number! - Well, what do you want, Vinnie, the butcher sees it like that ... Almost

From the book Pirates by Perrier Nicolas

Pig One day Piglet comes to Winnie the Pooh and says: - Congratulate me, Winnie! Today my portrait was painted! Look… - Oh, you look strange on it! Everything is divided into parts, and each part has its own number! - Well, what do you want, Vinnie, the butcher sees it like that ... Almost

From the book Big Culinary Dictionary the author Dumas Alexander

A mine under an oak One day, the teenagers went deep into the oak grove, from which the island got its name, and found themselves in a large clearing. In the center stood a huge old oak tree. The old ax marks were still visible on its trunk, and something was hanging from the thick bough. Looking closer

From the book Encyclopedia of Slavic Culture, Writing and Mythology author Kononenko Alexey Anatolievich

From the book Disasters of the body [Influence of stars, deformation of the skull, giants, dwarfs, fat men, hairies, freaks ...] author Kudryashov Viktor Evgenievich

From the book I know the world. Wildlife from A to Z author Lyubarsky Georgy Yurievich

Pig Woman The only confirmed birth of a woman with the head of a pig took place in Iceland on February 6, 1794. A popular rhyme read: Her family is rich Her fate is great Although her head is piggy But even to many

From the book Encyclopedia of Classical Greco-Roman Mythology author Obnorsky V.

Boar, wild pig The area of ​​distribution of the wild boar extends from the temperate zone of Europe to the tropics of the Malay Archipelago, in between covering a significant part of the Asian continent to the south of the taiga zone, and goes to the north of Africa. Wild pig everywhere

Pig under the oak tree drawing

Pig under the ancient oak
I ate acorns to my fill, to satiety;
Having eaten, she slept under it;
Then, tearing her eyes, she got up
And she began to undermine the roots of Oak with her snout.

"After all, it harms the tree, -
Raven says to her from Oak, -
If you expose the roots, it may dry up.
"Let it dry," says the Pig,
Nothing worries me
I see little use in it;
Even if you don’t have it for a century, I won’t regret it at all;
If only there were acorns: after all, I get fat from them.

"Ungrateful!" Oak said to her here, -
Whenever you could raise your snout,
You would have seen
That these acorns are growing on me."
The ignoramus is also in blindness
Defends science and learning
And all scholarly works
Not feeling that he eats their fruits

Moral of the fable

The ignoramus is also in blindness
Defends science and learning
And all scholarly works
Not feeling that he is eating their fruits.

Morality in your own words, the main idea and meaning of the fable Pig under the oak

Only the ignorant scold science, not realizing that they are indebted to it for the blessings.


You would have seen

"The ignoramus is so blind
He scolds science and learning.

Analysis of the fable Pig under the oak

Fabulist I.A. Krylov wrote his works in an accessible and simple language and tried to teach from childhood to the ability to appreciate and not act excessively rudely. The genre was first exalted by Aesop, and many works were written in this language. In different situations it was impossible to openly express one's point of view, so Aesop's language was an important component in this type of work.

The fable "Pig on oak" is one of the instructive works, as a genre has its own history and biography. I.A. Krylov, already accustomed to writing about animals, ridicules, by comparison, human vices and shortcomings of life. As you know, two areas of vice and virtue always compete in a person. In fables, he tries to express this in a playful way in the faces of the characters. In many ways, the author uses the allegorical (allegorical) qualities of the characters, emphasizing their negative sides as the main prototypes of life situations.

The main character in this work is pig, who “got drunk on acorns”, “slept under the oak tree” and remained ungrateful. The pig really depicts the image of its destiny, it is cold-blooded towards a prolific breadwinner, trying to destroy the tree that makes it possible for it to exist. She affirmatively insists that the tree wither and be destroyed. The animal is not able to see the use and appreciate what helps it to survive, and so the display of the human essence opens, sometimes a person does not appreciate what he has.

The opposite character is Crow who is trying to reason and teach a lesson to a pig, but she cannot understand anything, and is not able to accept it, and in life in many situations, a character appears who is able to teach a lesson and get rid of ignorance. The oak, with its wisdom, reflects in this image an intelligent person who silently tries to teach the pig a lesson, put him on the path of truth, thereby identifying morality and restoring justice. Oak insisted that she was ungrateful and did not appreciate his care.

“Whenever you could raise your snout,
You would have seen
That these acorns are growing on me.
This is how the moral of the work sounds through the mouth of the tree. An important point in the fable is that sometimes some do not appreciate everything given by nature and distort its natural functions. Therefore, the denunciation of vices is reflected mainly in ignorance and selfishness.
"The ignoramus is so blind
He scolds science and learning.

The pig ate the acorns and lay down to sleep under the oak. When I woke up, I started digging oak roots. And the pig does not understand that the stomach grows on oak.

Heroes of the fable (characters)

  • Pig is stupid
  • Oak is the breadwinner
  • Raven - common sense

I present to you an overview popular expressions from Krylov's fables .

It included more than 50 expressions.

Usually in a fable, human vices and weaknesses are denounced in an intelligible form. And in the fables of "grandfather Krylov" too. Therefore, I grouped Krylov's winged expressions (phraseological units) according to different vices and weaknesses :

Inability to agree, inconsistency of actions

Phraseologisms from the fable "Swan, Pike and Cancer"

  • Yes, only things are still there
  • When there is no agreement among the comrades, their business will not go well
  • Swan, Cancer and Pike

Phraseologisms from the fable "Musicians"

  • Who is in the forest, who is for firewood
  • For me, it’s better to drink, but understand the matter
  • And you, friends, no matter how you sit down, you are still not good at musicians (“Quartet”)

Unsolicited help, obsessive attention

Phraseologisms from the fable "Demianov's ear"

  • Demyanov's ear
  • And gave him neither rest nor time

Phraseologisms from the fable "The Hermit and the Bear"

  • A helpful fool is more dangerous than an enemy

Intrusiveness, arrogance

  • If they kick me out the window, then I attract to another (“The Fly and the Bee”)

flattery, flattery

Phraseologisms from the fable "The Crow and the Fox"

  • From joy in the goiter breath stole
  • In the heart of a flatterer will always find a corner
  • What feathers, what a sock!
  • The Cuckoo praises the Rooster for praising the Cuckoo ("The Cuckoo and the Rooster")
  • Praises are tempting - how not to wish them! ("Monkey")

Abuse of power, force

Phraseologisms from the fable "The Wolf and the Lamb"

  • The strong always have the powerless to blame
  • To give the case a legal look and sense
  • It's your fault that I want to eat
  • Thin songs to the Nightingale in the claws of the Cat ("The Cat and the Nightingale")

Limitation, narrowness of thinking

  • There is no beast stronger than a cat ("Mouse and Rat")
  • Hey pug! To know that she is strong that she barks at the elephant ("Elephant and Pug")
  • Eagles happen to descend below chickens; but chickens will never rise to the clouds ("The Eagle and the Hens")
  • Why consider gossips to work, isn’t it better to turn around for yourself, godfather? ("Mirror and Monkey")

Boasting, unjustified claims

  • Tit did glory, but did not light the sea ("Tit")
  • Better sing well as a goldfinch than badly as a nightingale ("Starling")
  • Whoever shouts about his deeds to everyone incessantly, is, of course, of little use ("Two Barrels")

Theft, bribery

  • And give a thief at least a million - he will not stop stealing (“The Peasant and the Fox”)
  • What gets away with thieves, for that thieves are beaten ("Voronenok")
  • Stigma in the cannon ("The Fox and the Marmot")

Clueless, fruitless activity

  • Spin like a squirrel in a wheel ("Squirrel")
  • Martyshkin labor ("Monkey")

Idleness

Phraseologisms from the fable "Dragonfly and Ant"

  • And under each bush, both the table and the house were ready
  • Did you all sing? this is the case: so come on, dance!

Weakness, unjustified complacency

Phraseologisms from the fable "The Cat and the Cook"

  • And Vaska listens and eats
  • It's time to use the power

The desire to get to the top of society

Phraseologisms from the fable "Crow"

  • In borrowed plumes
  • Dress up in someone else's feathers

Stupidity, arrogance

  • The family has its black sheep ("Elephant in the Voivodeship")
  • Where, smart, are you wandering head? ("The Fox and the Donkey")

Lies, fake

  • Roman cucumber ("Liar")
  • Some fake flowers are afraid of rain (“Flowers”)

Incompetence

  • God save us from such judges ("Donkey and Nightingale")
  • Pike thrown into the river ("Pike")

Tendency to over complicate things

  • And the casket just opened ("Casket")
  • I didn’t notice the elephant (“Curious”)

Greed

  • We willingly give what we ourselves do not need ("The Wolf and the Fox")
  • Take it, take it, or even dirty your claws! ("Raven")

Devaluation of the unattainable

Phraseologisms from the fable "The Fox and the Grapes"

  • green grapes
  • The eye sees, but the tooth is numb

The desire to hit the weakened, to laugh at someone else's misfortune

  • Donkey Kick ("The Fox and the Donkey")
  • Do not laugh at someone else's misfortune, Dove ("Chizh and Dove")

Ingratitude

  • Pig under the oak ("Pig under the oak")

Cunning

  • Where you can’t take it by force, you need a grip (“Two Boys”)

Envy

  • They bark and leave behind (“Passers-by and dogs”)

slander

  • Slanderers in hell are more honorable than snakes ("The Slanderer and the Snake")

Exploitation of ancestral merit

  • Our ancestors saved Rome ("Geese")

Create new problems by solving old ones

  • Trishkin caftan ("Trishkin caftan")

Other author's phraseological units of Krylov

  • Returning from distant wanderings ("Liar")
  • The monkey in old age has become weak in the eyes ("Monkey and Glasses")
  • In order not to tease the geese ("Geese")
  • Antics and jumps ("The Mirror and the Monkey")
  • How many times have they told the world ("The Crow and the Fox")

Ivan Andreevich Krylov (1769-1844) - one of the most prolific on idioms Russian writers.

This is due to such features of the fable genre as conciseness, the presence of characteristic characters, the need to sum up and formulate the moral of the whole fable.

In fairness, we note that a considerable part of the plots of the fables of I.A. Krylova was taken from his predecessors - Aesop and La Fontaine. But a significant part of the fables is quite original and was created by him literally according to recent historical events (for example, the fable "The Wolf in the Kennel" was inspired by the war with Napoleon) or according to everyday stories of that time (for example, "Curious").

In conclusion, I want to note that Ivan Andreevich, despite the rapid recognition of his satirical talent both by the people and the imperial court, was himself distinguished by some human weaknesses, in particular, gluttony and laziness.

Well, perhaps this circumstance helped him not to fall into excessive moralizing when composing his fables.

I think that you may also be interested in the phraseological units of A.S. Griboedov or phraseological units about books, reading and writing.

A fable is a work designed to convey a certain meaning in its content. The inhabitants of Russia know this type of creativity from the imperishable poems of Ivan Andreevich Krylov, because it was he who introduced our country to the common truths of human life for more than 150 years ago, and they continue to use

demand to this day. What is the secret of the popularity of rhyming stories about animals that came from Krylov's pen? Let's try to find the answer to this question with the help of one of his most popular works - "The Pig under the Oak". The fable best conveys moral meaning through the associative comparison of an animal with a person of a certain level of development.

Krylov's fable "The Pig under the Oak" is notable for its penetrating morality, which most accurately conveys the milestones of the time in which its author lived. However, before starting to analyze its meaning, it is necessary to familiarize yourself with the textual content of the work.

"The Pig under the Oak" is a fable in which three heroes are involved. Central among them is, you guessed it, the pig. Secondary characters are an oak tree and a raven sitting on its branch. The story begins with a story about how

a pig lies under an oak tree and eats acorns that have fallen from it. When they stop falling, she begins to dig up the roots to get to those fruits that hang high. Raven tries to stop the stupid pig, but she absolutely does not listen to him and tries to prove her case until the old oak, who is not at all a minor character, enters into dialogue, as he begins to tell the culprit of the commotion about her ignorance. But she still does not heed the words of the more educated participants in the plot.

Moral of the fable "Pig under the oak"

This piece has a complex meaning. It carries a certain background, being a verbal slap in the face at the time in which Ivan Krylov lived. What is the main moral of the poem "The Pig under the Oak"? The fable shows us the inevitable death of everything created by science in the hands of ignorant people. The oak is associated here with centuries of wisdom, and the pig is associated with those who do not want to comprehend it through training.

The work clearly shows the line between a raven sitting on a branch and a pig digging in the ground. Such a picture depicts how low an ignoramus is compared to an educated person. "The Pig under the Oak" is a fable that makes clear the value of spiritual development compared to indulging one's instincts.

Life truths accessible to everyone

Fables I.A. Krylov's books are valued for their clear presentation, which is why they were included in the compulsory literature study program many years ago and do not lose their positions in popularity today. Using the example of animals, elementary school students are better able to learn simple life truths, because many of you probably remember the lines of Ivan Andreevich's famous fables, which have long since become popular expressions.

The writer constantly rotated among the common people, for which he received real respect from the common people. That is why in each of his poems a shade of vernacular slips through. Is it because he wrote them specifically for the peasants, who, due to lack of education, would not be able to assimilate complex speech turns and secular expressions? Most likely, the way it is.