Landscape with black ink pen. Drawing on black paper for kids

Drawing on a black background step by step

Master class Graphic composition "Village".

Master class for children 9-12 years old, teachers, parents.

Author: Kokhan Olga Mikhailovna, teacher additional education, MBOUDOD "Center for the development of creativity of children and youth", the city of Vilyuchinsk
Purpose: creation of a graphic composition for decorating an interior or a gift.
Target: Acquaintance with the technique of drawing with white gel pens on black cardboard.
Tasks:
teach how to make a landscape with white gel pens on black cardboard;
improve the skills of working in the technique of graphics;
develop aesthetic responsiveness to the beauty of the surrounding world;
develop abstract thinking, the ability to think creatively and solve compositional problems in the proposed topic;
develop Creative skills, fantasy and imagination.
develop an eye fine motor skills hands;
foster patriotism;
cultivate accuracy and diligence in work.

Materials:

a sheet of A4 black cardboard for stitching with leather embossing (sold in printing shops and large stationery stores), white gel pen, simple pencil 2H-4H (soft).

Stages of work.

Before starting work, you should remember that it is not recommended to use an eraser when performing this composition, all lines should be as thin as possible, barely noticeable, and their number should be minimal.
1. Place a sheet of cardboard horizontally. With a simple pencil, draw a horizontal line through the middle of the sheet, similar to a large wave. This is the future hill.

2. Above the central part of the hill, draw the roof of the house, similar to a thick letter "L" with its "legs" wide apart.

3. From under the roof, draw vertical lines of the walls. To the right, just above the first hill, draw a line of the second hill. On it, outline two houses standing side by side. On the left side of the sheet, just below the central hill, draw another line across the entire sheet depicting the hill. Above it we outline a house slightly larger than the previous ones. On the left side of the house, we draw a thin vertical line outlining the trunk of the Christmas tree.

4. To the left of the central house, we outline two vertical lines of different sizes. In the upper part of each we draw a circle or an oval outlining the area of ​​the tree crown. On the right side of the two houses, we outline the trunks of Christmas trees. Proportions must be observed. On the right edge of the sheet, outline the trunk and crown of a large tree located on the same hill with a large house. Above the right and left lower corners, outline the mounds of the foreground. In the upper part of the sheet, slightly to the left of the center, outline a small circle - the moon. Behind the houses draw a smoothly curving background line.

5. Above the background line, draw a wavy line indicating the forest in the background. Above the hills of the foreground, we outline the bushes with several arcuate lines. We evaluate the harmony of the composition. On mine, it was necessary to outline another Christmas tree to the left of the large house, just below the first. As well as a path from one hill to another.

6. Getting started with white gel pens. You should work without pressing the pen, then the lines will turn out whiter. Carefully circle the roof of the central house.

7. And fill it with white, it turns out the roof is covered with snow.

8. On the right side of the roof, draw two small strokes, and above them a small white spot of snow. It turns out a pipe. On the lines of the walls we draw sections of logs - small circles with a spiral in the center. Circles should be 4-5 on each side.

9. Draw a small rectangular window on the wall of the house. Draw a frame around and inside the window.

10 With horizontal lines we outline the logs at the bottom of the house. To give the work more liveliness, the lines can be solid or broken.

11. We draw light wavy lines of smoke from the pipe, no more than 2-3. The lines should be of different lengths and run vertically. Under the house we draw one or two lines of the hill. The lines must be alive, connect, diverge.

12. From the hill, draw two lines of the tree trunk. At the top of the crown, the lines should connect.

13. We draw one or two more vertical lines along the trunk showing the structure of the tree bark.

14. From the trunk in different directions we draw large branches, three on each side. Each branch should end on the line of the circle-crown. At the trunk, the branch line should be slightly thicker.

15. From each large branch we draw small branches, each of which should reach the line of the circle-crown.

16. The more there are, the denser the crown will be for the tree.

17. Similarly, we perform the second tree.

18. From the middle hill we draw one or two lines to the neighboring hill. We carry out houses in the background, starting from the roof.

19. To the right of the houses in the background, we are doing a spruce. It should be higher than the house. In the upper part of the spruce we make a small stroke - this is the top of the spruce. From the crown, with several strokes of different lengths, we perform the first tier of spruce branches. It turns out a kind of "skirt" tightly adjacent to the trunk in the upper part and expanding towards the bottom.

20. The second row of branches is performed in the same way, only the upper and lower parts of the "skirt" become slightly wider. It is important that there is a small black gap between the "skirts". Continue to lower the tiers of branches in the same way, descending to the line of the hill. On the left side, the spruce branches are pressed close to the house.

21. From the right we make a large foreground tree. We draw the trunk with two lines connecting at the top. With several lines we outline the bark on the trunk.

22. We bring the upper part of the trunk to the edge of the circle-crown. On the sides of the trunk we have 4 large branches. We strengthen the bases of large branches.

23. From each large branch we take away small branches, each of which ends in a circle-crown. Small branches can intersect with each other.

24. Similarly, at the base of the tree, we make a couple of bushes.

25. On the left we carry out a large house.

26. We draw the lines of the hill. To the left of the large house we carry out a tall spruce. To the left of the high spruce, we make another spruce of a smaller height.

27. Draw a long-range line without pressure. We draw a forest line above it. With small strokes we outline the trunks. We draw small bushes near the houses. We carry out bushes of the foreground on the right. As well as hills in one or two lines.

28. Draw the moon in the sky, strengthening the line for greater brightness. We finalize the bushes of the foreground on the left. With light lines we outline a path between the hills.

Who wants.
Drawing and ink from scratch

I will start this post with "desire", because in the matter of gaining the ability to draw with a pen / pen, personal desire is even more important than talent and thinness. skills.
Usually, drawing in any other technique begins with a pencil construction, corrections, possibly a change in composition in the process, and therefore active use. In general, no one bothers to make a pencil construction according to all the rules for drawing with a pen / pen, but this post is just about how to learn how to do without it.

First of all, those who want to learn how to draw "without an elastic band" should be patient, a little time (but every day!) And a great desire. Why do I attach such importance to desire? Because very often, especially at first, there will be disappointment in your work, and as a result, in yourself, in your skills, and only desire will not let you spit on the whole thing from a high tree and decide that even without this skill you can live in peace.
Below, I will show some tricks that will help you get a normal result, as well as give examples of mistakes and unsuccessful work that you should not be afraid of at all. I hope all this will help to maintain the desire to learn and will not allow a feeling of inferiority to appear =)

So the tools are:
Pens. You can draw with ballpoint pens, gel, some other. Now I prefer to draw, but at first it was either ink or liners.
I had to draw with reusable "Uni pin" fine line liners, but, apparently, they are either for smoother paper, or we did not agree with them in Feng Shui, but they wear out the rod faster than the refill ends. Only once we ran them, and that was when Leo wrote in a notebook with them, and did not draw. Perhaps they are not erased, and the rod goes away from being pressed into the case, but the result is the same. The most popular sizes are 0.1 and 0.2, sometimes I use 0.3, but this is when there is no 02 and very rarely 0.05 for especially small details, when I undertake to draw them at all

Very similar to the "Uni pin" liners from "Faber Castell", one of the series even in the cases is the same, only the inscription is different (now I don't have them, so the photo is from another series)

Another option is Centropen liners. They are one and a half times cheaper than "Uni pin" and two times cheaper than "Faber Castell", they are not inferior in quality, the rod still leaves, perhaps a little slower. The only difference is that they are disposable, but if you consider the fact that the rest are thrown away even before refueling, then the savings are not bad.

At the moment, Leo is done with liners - at such an expense, it turned out that it would be cheaper to buy and forget about problems with the rods.

Paper. Unlike drawings, it is most convenient for me to draw with a pen in notebooks - all the waste paper is together, it is not lost anywhere and is always at hand. For work and ink, I use, and for liners I have a cheap Chinese notebook with medium quality paper, so it’s not a pity, because the paper leaves in batches, and the drawings there are basically not the ones that you should be proud of right now.

The paper is greyish, with a density of 98gsm, which is quite enough for double-sided drawings.
When I sketch this notebook, I will switch to good ones with white beautiful paper and pleasant bindings that have been waiting for me for a long time =)

Now we pick up the tools and start drawing.
Basic rules/tips:
1. draw anything: objects on the table, furniture in the room, chandelier, interior, view from the window, flowers on the windowsill, etc. or from photographs (animals, birds, people, but do not get too carried away with photographs, the main thing is nature)
2. draw without construction as it turns out: clumsily, with errors, extra lines, compositionally incorrect, etc.
3. at first it is better to take a thinner pen so as not to blacken much
4. you need to draw lines quickly, do not tremble over every millimeter (at first there will be 1000 and 1 line, then only 1)
5. every day. Even the most deadly busy person can find 10-15, even 30 minutes of time and devote it to drawing, everything else is excuses and the absence of that same desire. What is deadly employment, Leo knows very well and firsthand (1 job, 2 hacks, study at a hospital + diploma - and Leo had this). Therefore, I ask you not to write me a PM and comments, they say, "I would love to, but there is no time", there is simply no desire and there is laziness, and there is no need and sense to notify me about this - it is not impressive, it does not cause pity and sympathy.
6. before evaluating the result of your work, you need to copy 100 pages, at least. At the time of the creation of this post (08/26/2011), I had 101 pages copied, I draw on both sides of the sheet, fortunately, the paper density allows, and there is no point in putting each such work in a frame. Many pages have 2-3 small drawings.
7. How to help yourself not to be lazy: always carry a pen with you. When you are sitting somewhere: in a cafe, park, in line, at home, with friends, etc. - take it out and put it next to you. The brain will get used to the constant potential opportunity to draw and will use this opportunity =)

How to make life easier for yourself at first:
You can draw with dots. Actually, the construction is more in the mind than on paper, but putting an end to some key place, we create a visual support for ourselves

Connecting the dots

And now you can tint and detail, but in sketches of this type, this is superfluous. Here it is important to convey the form, movement, somewhere with a careless stroke to emphasize the volume.
I have no more than 10 pieces of such finished works for the whole notebook.

Most often my ducks look like this

The main mistakes that will be exactly:
500 lines, when you want to draw one - patience, my friend, everything will be, but not immediately.
Problems with the composition, crawling out of the sheet, or a lot of space from some edge. To avoid, you can note at the very beginning extreme points object at least by eye

Disproportionality (it turned out to be a painfully beaked duck). Cures with time and practice

Wrong perspective, general clumsiness (here the perspective is lame on all four legs, with verticals it’s generally dark)

A jar of honey slumped

What to draw is necessary and useful:
Interior - wherever you live, you can always draw how it looks without even getting up from the sofa / chair / armchair / bed

All sorts of items, household appliances, utensils and so on (there was a meat grinder above - this is the most tin, especially from different angles).
Just a box

If there is, you can draw a pet from different angles when it is static (it is also necessary in dynamics, but this is more difficult and later)

It is good to draw indoor plants in such a way as to convey their volume and the appearance of the plant is clear.
Leo has a houseplant - oak, it's so obvious =)

Who doesn’t have indoor plants, don’t be lazy and buy some kind of flower, put it in a vase / glass and draw

It is also very useful to draw somewhere during a walk - we find a bench / stump, sit down and draw what first came to our eyes.
It is not necessary to draw every leaf, the most important thing is to convey the impression, volume

And you can draw if the object is piece

A good object for drawing is any stone. It is necessary to repeat the form, transfer the texture and not lose the volume (Leo still loses from time to time)

Drawing from photographs.
Also good, but in moderation and quickly. Open a photo, spend 5-7 minutes on it and move on to the next one.

So you can draw what is not found in Everyday life, all kinds of animals and birds.

Leo likes to take pictures of ducks in Vinnitsa and somewhere on the ponds, and then in the evenings draw them in detail or just sketch

The black and red Muscovy duck was so beautiful that Leo could not resist and went into details

In general, nothing complicated if you regularly devote time to practice.
If someone has problems with self-motivation and physically needs some kind of external kick in the form of: role model / ridicule, competition / mutual assistance, regularity -.
Good luck and best wishes to all who are interested! =)

A kind request to those who post my reviews and articles on their sites - I'm not against borrowing my materials, but please sign the author and put a link to the source text:
Author: Ater Leo
Taken:

Still, I do design and quite often I have to make sketches on paper, although of course these sketches cannot stand on a par with well-drawn illustrations.

I started drawing with gel paint from school. Even then, these illustrations amazed me with their expressiveness, contrast, and graphic quality.

Why drawings with a helium pen, and not a regular one? Drawings with a gel pen are clear, contrasting. Drawing with a gel pen, I really enjoy my work and I recommend this activity to everyone for the soul.

(function(w, d, n, s, t) ( w[n] = w[n] || ; w[n].push(function() ( Ya.Context.AdvManager.render(( blockId: "RA -269783-9", renderTo: "yandex_rtb_R-A-269783-9", async: true )); )); t = d.getElementsByTagName("script"); s = d.createElement("script"); s .type = "text/javascript"; s.src = "//an.yandex.ru/system/context.js"; s.async = true; t.parentNode.insertBefore(s, t); ))(this , this.document, "yandexContextAsyncCallbacks");

If you draw with a gel pen, then despite the experience, you should first make sketches with a regular pencil. It will be very disappointing to spoil the drawing if you decide to change something. The gel is rather badly erased, you will not be able to do it imperceptibly. It will be possible to correct the drawing only if you use some external dye such as white.

Of the features, it should be noted that the gel slightly tightens the pattern after drying. This should be taken into account while working.

(function(w, d, n, s, t) ( w[n] = w[n] || ; w[n].push(function() ( Ya.Context.AdvManager.render(( blockId: "RA -269783-10", renderTo: "yandex_rtb_R-A-269783-10", async: true )); )); t = d.getElementsByTagName("script"); s = d.createElement("script"); s .type = "text/javascript"; s.src = "//an.yandex.ru/system/context.js"; s.async = true; t.parentNode.insertBefore(s, t); ))(this , this.document, "yandexContextAsyncCallbacks");

After I myself began to periodically make sketches on paper with a gel pen, it became very interesting how others do it. I collected the most interesting illustrations in this small selection of drawings with a gel pen.

(function(w, d, n, s, t) ( w[n] = w[n] || ; w[n].push(function() ( Ya.Context.AdvManager.render(( blockId: "RA -269783-11", renderTo: "yandex_rtb_R-A-269783-11", async: true )); )); t = d.getElementsByTagName("script"); s = d.createElement("script"); s .type = "text/javascript"; s.src = "//an.yandex.ru/system/context.js"; s.async = true; t.parentNode.insertBefore(s, t); ))(this , this.document, "yandexContextAsyncCallbacks");

Of course, these are not my works, but I will try, as soon as I have free time, to complete my collection of gel drawings and post them on the blog.

On the first graphic work - the floodplain of the Desna River in spring, when the leaves have just begun to bloom

This is again Lutovinovka - rural landscape done in ink, pen and white.

Corner of the forest thicket without the use of whitewash and brushes. Only pen and ink.

View from the hill to the distance.

Absolutely all artistic graphics are made from nature. Faux paper toning was not applied. Some landscapes in pen, ink and gel pen are done on natural brown wrapping paper, and some on the gray tone of candy boxes.

Advice for budding graphic artists.

You should not make unnecessary gestures, tinting paper or looking for some special ways to achieve artistic expressiveness. Collect pieces of unnecessary cardboard with their natural toning. Wrapping paper gives excellent results. Candy boxes are just as useful because they usually use top quality cardboard.

Tag: easel (easel drawing, print)