Life and work of Marina Ivanovna Tsvetaeva presentation. The life and work of Marina Tsvetaeva
Tsvetaeva
Slides: 21 Words: 426 Sounds: 0 Effects: 0Marina Tsvetaeva. Essay on life. “I was there too, a passerby! Passerby, stop!...” On September 26, 1982, from Saturday to Sunday, at midnight, Marina Tsvetaeva was born. Ivan Vladimirovich Tsvetaev (1847-1913). Museum of Fine Arts. Maria Alexandrovna Main (1868-1906. Marina Tsvetaeva with her sister Anastasia. Former nursery in Trekhprudny Lane. “Evening Album” 1910. Marina Tsvetaeva published her poems from the age of sixteen. House in Tarusa. Koktebel. For the first time with Sergei Efron. In Koktebel she decided Marina's fate. In Prague with her daughter in 1924. Ariadna 1930 (18 years old). With Ariadna in 1916. - Tsvetaeva.ppt
Tsvetaeva lesson
Slides: 31 Words: 2628 Sounds: 1 Effects: 13“The mortal foam of the sea...” (Based on the lyrics by M. Tsvetaeva). Dedicated to the 115th anniversary of the birth of Marina Tsvetaeva... Literature lesson. The rowan tree lit up with a red brush. Leaves fell, I was born. 1892 - 1941. Purpose of the lesson: to get acquainted with the work of Marina Tsvetaeva and the peculiarities of her poetic manner. During the classes. Who is created from stone, who is created from clay - And I silver and sparkle! My business is betrayal, my name is Marina, the foam of the sea. Parents of the poetess. Marina Tsvetaeva and Sergei Efron. Marina and Sergei Efron got married on January 27, 1912. That they will never sing over us in the silence of church: Hallelujah! - Tsvetaeva lesson.ppt
Tsvetaeva Marina Ivanovna
Slides: 10 Words: 906 Sounds: 0 Effects: 5Tsvetaeva Marina Ivanovna. Biography. In 1906, their mother died, Marina and her sister Anastasia were left in the care of their father. Marina studied in Moscow, then in boarding schools in Switzerland and Germany. In 1911, Tsvetaeva met her future husband Sergei Efron. In January 1912, Tsvetaeva married Sergei Efron. In 1922, Tsvetaeva emigrated. She led an almost miserable life, renting apartments in the suburbs of Paris. Understand that I could no longer live. The son, Georgy, died 3 years later in 1944 from a bullet wound. Creation. Intonation-rhythmic expressiveness, paradoxical metaphor. - Tsvetaeva Marina.ppt
Marina Tsvetaeva
Slides: 29 Words: 1619 Sounds: 0 Effects: 129Marina Tsvetaeva. “If the soul was born winged...” The beginning of Marina's life journey. I was also abroad. I took a course in the history of Old French literature at the Sorbonne in France. She started writing at the age of 6, publishing at 16, and publishing a large collection, “Evening Album,” at 18. The poet's father is Ivan Vladimirovich Tsvetaev. He died when Marina was 21 years old. Mother of M. Tsvetaeva Maria Alexandrovna Main. Marina's mother was from a Polish-German family. Artistically gifted nature, musician. One against all." Marriage to Sergei Efron. S. Efron was Marina's childhood friend. An honest and fair person. - Marina Tsvetaeva.ppt
Literature Tsvetaeva
Slides: 29 Words: 258 Sounds: 6 Effects: 27Marina Tsvetaeva. The rowan tree lit up with a red brush. Leaves fell, I was born. Marina Tsvetaeva’s father is Ivan Vladimirovich. Marina Tsvetaeva with her father. Marina Tsvetaeva's mother is Maria Alexandrovna Main. “I can say that I was born not into life, but into music.” What was Marina Tsvetaeva like? Marina Tsvetaeva and Sergei Efron. Marina and Anastasia Tsvetaeva. Marina Tsvetaeva in the Czech Republic in 1924 – 1925. In 1939, Marina Tsvetaeva finally returned to her native land... Deportation to Yelabuga. Under the weight of personal misfortunes, alone, in a state of depression... The house is a museum. Write an essay “My discovery of Marina Tsvetaeva. - Literature Tsvetaeva.ppt
Life and work of Tsvetaeva
Slides: 18 Words: 639 Sounds: 0 Effects: 0Word and fate. The life and work of Marina Ivanovna Tsvetaeva. My poems, like precious wines, will have their turn! M. Tsvetaeva. The rowan tree lit up with a red brush. The leaves were falling I was born... Apparently, you left sadness as a legacy You, oh mother, to your girls! Meeting with Sergei Efron. Such - in fatal times - They compose stanzas - and go to the chopping block... Lines dedicated to Russian poets. Anna Akhmatova. From the entrance yard - The smartest man in Russia. Arrival of Osip Mandelstam. You throw your head back - Because you are proud and a liar. What a cheerful companion this February has brought me! - Tsvetaeva life.ppt
Tsvetaeva's life
Slides: 22 Words: 1527 Sounds: 0 Effects: 0Marina Tsvetaeva. Essays on life. Biography of the poetess. Marina grew up surrounded by music and books. The creative path of the poetess. We, like you, welcome the sunsets, reveling in the nearness of the end. Everything that we are rich with on the best evening is placed in our hearts by you. The azure island is becoming paler - childhood, We are standing alone on the deck. Apparently you left sadness as a legacy for your girls, oh mother! "Oh, the weeping muse, the most beautiful of muses! Oh, you crazy fiend of the white night! Marina Tsvetaeva did not accept the October Revolution and did not understand. PRAYER Christ and God! I thirst for a miracle Now, now, at the beginning of the day! You are wise, You will not tell sternly: - “Be patient, the time is not over yet.” - Life of Tsvetaeva.ppt
Tsvetaeva creativity
Slides: 9 Words: 346 Sounds: 0 Effects: 4Creativity of M. Tsvetaeva. They love you for nothing. Love is a blessed radiating energy. All creativity is love... N. Berdyaev. Which Russian philosophers of the 20th century comprehended the meaning of love in human life? What place did love occupy in Tsvetaeva’s life? And she took the whole wind into her arms - no! the whole North. From a letter from M. Tsvetaeva. Psyche. Carefully read the dictionary entry from the encyclopedia “Myths of the Peoples of the World.” Why does the poet say this? But she knew how to distinguish the true, authentic from the false, artificial. Whose portraits do you see? Perception of lyrics. - Tsvetaeva creativity.ppt
Creativity Marina Tsvetaeva
Slides: 16 Words: 831 Sounds: 4 Effects: 109"If the soul was born with wings." Annotation. The presentation can be used in literature lessons and at extracurricular events. The rowan tree lit up with a red brush. Leaves fell, I was born. 1892 - 1941. Who is created from stone, who is created from clay, - And I silver and sparkle! My business is betrayal, my name is Marina, the foam of the sea. Parents of the poetess. What was Marina Tsvetaeva like? Idol of Tsvetaeva. Your name is a bird in your hand, Your name is a piece of ice on your tongue. One - a single movement of the lips. Your name is five letters. A ball caught on the fly, a silver bell in the mouth... “Poems to Blok.” - Tsvetaeva’s creativity.ppt
Poetry of Marina Tsvetaeva
Slides: 7 Words: 397 Sounds: 0 Effects: 12The poetic world of Marina Tsvetaeva. Marina Tsvetaeva. Test. The beginning of creativity. Marina Tsvetaeva entered literature at the turn of the century, in an alarming and troubled time. "Who is created from stone, who is created from clay...". Rowan lit up with a red brush. Leaves fell, I was born. Hundreds of Bells argued. It was Saturday: John the Theologian. To this day I still want to gnaw the hot rowan tree, the bitter brush. (1892-1941), Russian poetess. Daughter of I.V. Tsvetaev. Tragedies ("Phaedra", 1928). Intonation-rhythmic expressiveness, paradoxical metaphor. She committed suicide. - Tsvetaeva poetry.ppt
Tsvetaeva's poetry
Slides: 26 Words: 2407 Sounds: 0 Effects: 163“The soul was born winged” (the artistic world of Marina Tsvetaeva). The rowan tree lit up with a red brush. Leaves were falling. I was born. Hundreds of Bells argued. The day was Saturday: John the Theologian. To this day I still want to gnaw the hot rowan tree, the bitter brush. The birth of a poet. The family was highly cultured, with rich family traditions. Tsvetaev Ivan Vladimirovich. Main Maria Alexandrovna. Marina Tsvetaeva. Oh, proud augurs! A. S. Pushkin and Marina Tsvetaeva. “My Pushkin” - this is what Tsvetaeva called one of her essays - memoirs. Poetics and aesthetics. Love lyrics by Tsvetaeva. So be it. But in half-languor You drooped over the page... -
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LIFE AND WORK OF MARINA TSVETAEVA
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Marina Tsvetaeva
Born on September 26, 1892 in Moscow. Father Ivan Vladimirovich is a professor at Moscow University. Mother Maria Aleksandrovna Main is a passionate musician. Passion for poetry comes from her mother.
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Parents
Passion for work and for nature - from both parents. Her father is a professor. He introduced Marina to the history and culture of Hellas, with its myths and legends. Christian mythology and the art associated with it also had a significant influence on the formation of Tsvetaeva’s spirituality.
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Childhood
Despite her spiritually close relationship with her mother, Tsvetaeva felt lonely and alienated in her parents’ home. She deliberately closed her inner world both from her sister Asya and from her half-brother and sister - Andrei and Valeria. Even with Maria Alexandrovna there was no complete understanding. Young Marina lived in a world of read books and sublime romantic images. The family spent the winter season in Moscow, the summer in the city of Tarusa, Kaluga province. The Tsvetaevs also traveled abroad. In 1903, Tsvetaeva studied at a French boarding school in Lausanne (Switzerland), in the fall of 1904 - spring of 1905 she studied with her sister at a German boarding school in Freiburg (Germany), in the summer of 1909 she went alone to Paris, where she attended a course in ancient French literature at the Sorbonne.
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Tsvetaeva's childhood years were spent in Moscow and at her dacha in Tarusa. Having begun her education in Moscow, she continued it in boarding houses in Lausanne and Fleiburg. At the age of sixteen, she made an independent trip to Paris to take a short course in the history of Old French literature at the Sorbonne. She began writing poetry at the age of six (not only in Russian, but also in French and German), publishing at sixteen, and two years later, secretly from her family, she released the collection “Evening Album,” which was noticed and approved by such discerning critics as like V. Bryusov, N. Gumilyov and M. Voloshin. From the first meeting with Voloshin and a conversation about poetry, their friendship began, despite the significant difference in age. She visited Voloshin many times in Koktebel. Collections of her poems followed one after another, invariably attracting attention with their creative originality and originality. She did not join any of the literary movements.
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The years of the First World War, revolution and civil war were a time of rapid creative growth for Tsvetaeva. She lived in Moscow, wrote a lot, but almost never published. She did not accept the October Revolution, seeing in it an uprising of “satanic forces.” In the literary world, M. Tsvetaeva still stood apart. In May 1922, she and her daughter Ariadne were allowed to go abroad to join her husband, who, having survived the defeat of Denikin as a white officer, had now become a student at the University of Prague. First, Tsvetaeva and her daughter lived for a short time in Berlin, then for three years on the outskirts of Prague, and in November 1925, after the birth of their son, the family moved to Paris. Life was an emigrant, difficult, poor. It was beyond our means to live in the capitals; we had to settle in the suburbs or nearby villages.
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In 1912 she married Sergei Efron, who became not only her husband, but also her closest friend. Tsvetaeva’s creative energy, no matter what, did not weaken: in 1923 in Berlin, the Helikon publishing house published the book “The Craft,” which was highly praised by critics. In 1924, during the Prague period, he wrote the poems “Poem of the Mountain” and “Poem of the End”. In 1926 he completed the poem “The Pied Piper,” which he began in the Czech Republic, and worked on the poems “From the Sea,” “The Poem of the Stairs,” “The Poem of the Air,” and others.
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CHILDREN
In January 1912, the wedding of Tsvetaeva and Sergei Efron took place. On September 5 (old style), their daughter Ariadne (Alya) was born. On April 13, 1917, the second daughter, Irina, was born. At the beginning of the winter of 1919-1920, Tsvetaeva sent her daughters to an orphanage in Kuntsevo. Soon she learned about the serious condition of her daughters and took home the eldest, Alya, to whom she was attached as a friend and whom she loved frantically. Tsvetaeva’s choice was explained both by the inability to feed both of them, and by her indifferent attitude towards Irina. At the beginning of February 1920, Irina died. Her death is reflected in the poem Two Hands, Easily Lowered... (1920) and in the lyrical cycle Separation (1921).
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On July 11, 1921, she received a letter from her husband, who had evacuated with the remnants of the Volunteer Army from Crimea to Constantinople. Soon he moved to the Czech Republic, to Prague. After several grueling attempts, Tsvetaeva received permission to leave Soviet Russia and on May 11, 1922, together with her daughter Alya, left her homeland. On May 15, 1922, Marina Ivanovna and Alya arrived in Berlin. Tsvetaeva remained there until the end of July, where she became friends with the symbolist writer Andrei Bely, who temporarily lived here.
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Creation
If you tremble, the mountains will be lifted off your shoulders, and your soul will be a mountain. Let me sing about grief: About my grief.<..>Oh, it’s far from being an ordinary Paradise - it’s draughty! The mountain was throwing us down, pulling us down: lie down!
Tsvetaeva's works appeared in print in 1910, when she published her first book of poetry, Evening Album, at her own expense. Ignoring the accepted rules of literary behavior, Tsvetaeva resolutely demonstrated her own independence and unwillingness to conform to the social role of a “writer.” She saw writing poetry not as a professional activity, but as a private matter and direct self-expression. The poems of the Evening Album were distinguished by their “homely” quality; they varied such motifs as the awakening of a young girl’s soul, the happiness of a trusting relationship connecting the lyrical heroine and her mother, the joys of impressions from the natural world, first love, and friendship with fellow high school students. The Love section consisted of poems addressed to V.O. Nylender, with whom Tsvetaeva was then passionate. The poems combined themes and moods inherent in children's poetry with virtuoso poetic technique.
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In 1918, Marina Tsvetaeva wrote the cycle of poems “The Comedian” and the plays “Knave of Hearts” and “Blizzard”. In 1919, Marina Tsvetaeva wrote a cycle of poems “Poems to Sonechka” and plays “Fortune”, “Stone Angel”, “Adventure”, “Phoenix”. In 1920, Marina Tsvetaeva wrote the poem "The Tsar Maiden". In 1921, a collection of poems "Versts" was published. Marina Tsvetaeva writes the poems “On a Red Horse” (dedicated to Anna Akhmatova), “Egorushka” (continued in 1928, unfinished) and cycles of poems “Apprentice”, “Separation” and “Good News”. In 1922, Marina Tsvetaeva wrote the poem “Well done” (dedicated to Boris Pasternak) and the cycles of poems “Drifts” (dedicated to Ehrenburg), and “Trees” (dedicated to Anna Teskova). In 1922, Marina Tsvetaeva and K.B. met. (Konstantin Boleslavovich Rodzevich), the break with whom in 1923 served as the basis for writing “Poem of the Mountain”, “Poem of the End” and the poem “An Attempt of Jealousy”.
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Return to the USSR
Tsvetaeva had a serious conflict with her daughter, who insisted, following her father, on leaving for the USSR; the daughter left her mother's house. In September 1937, Sergei Efron was involved in the murder by Soviet agents of I. Reiss, also a former agent of the Soviet secret services, who tried to leave the game. (Tsvetaeva was not aware of her husband’s role in these events). Soon Efron was forced to hide and flee to the USSR. Following him, his daughter Ariadne returned to her homeland. Tsvetaeva remained in Paris alone with her son, but Moore also wanted to go to the USSR. There was no money for the life and education of her son, Europe was threatened by war, and Tsvetaeva was afraid for Moore, who was already almost an adult. She also feared for her husband’s fate in the USSR. Her duty and desire was to unite with her husband and daughter. On June 12, 1939, on a ship from the French city of Le Havre, Tsvetaeva and Moore sailed to the USSR, and on June 18 they returned to their homeland.
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Shortly after the start of the Great Patriotic War, on August 8, 1941, Tsvetaeva and her son were evacuated from Moscow and ended up in the small town of Elabuga. There was no work in Yelabuga. From the leadership of the Writers' Union, evacuated to the neighboring city of Chistopol, Tsvetaeva asked permission to settle in Chistopol and a position as a dishwasher in the writers' canteen. Permission was given, but there was no space in the canteen, since it had not yet opened. After returning to Yelabuga, Tsvetaeva had a quarrel with her son, who, apparently, reproached her for their difficult situation. The next day, August 31, 1941, Tsvetaeva hanged herself.
The exact place of her burial is unknown.
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Tarusa Museum of the Tsvetaev Family
A special memorable place associated with the name of Marina Tsvetaeva is the Tarusa Museum of the Tsvetaev Family, the second branch of KOKM in Tarusa. It was opened on October 4, 1992, on the eve of the poetess's 100th birthday. The museum is located in the restored so-called “Tjo House”. The house was bought in 1899 by M. Tsvetaeva’s maternal grandfather, Alexander Danilovich Main.
“I would like to lie in the Tarusa Khlystov cemetery, under an elderberry bush, in one of those graves with a silver dove, where the reddest and largest strawberries in those places grow. But if this is impossible, if not only I don’t lie there, but also the cemetery that one is no longer there, I would like a stone from the Tarusa quarry to be placed on one of those hills that the Kirillovnas used to come to us in Pesochnoye, and we to them in Tarusa: Marina Tsvetaeva would like to lie here.” Paris, May 1934
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Literature
Marina Tsvetaeva “Poetry and Prose” Moscow Eksmo 2002 www.tsvetayeva.com vvv.srcc.msu.su/asa/lit/mc.html cvetaeva.ouc.ru
The digital educational resource was created by Evgenia Leonidovna Shaulskaya, a teacher of Russian language and literature at the Zheltinskaya secondary school in the Agapovsky district of the Chelyabinsk region.
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Biography In 1911, Tsvetaeva met her future husband Sergei Efron. During the Civil War, Sergei fought in the Volunteer Army on the side of the Whites and after the Bolshevik victory was forced to emigrate. In January 1912, Tsvetaeva married Sergei Efron. In the same year, Marina and Sergei had a daughter, Ariadna (Alya). In 1914, Marina met the poetess and translator Sofia Parnok, their romance lasted until 1916. Tsvetaeva dedicated the cycle of poems “Girlfriend” to Parnok. In 1917, Tsvetaeva gave birth to a daughter, Irina, who almost immediately after birth ended up in an orphanage, where she died of starvation at the age of 3.
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Biography In 1939, Tsvetaeva returned to the USSR, following her husband and daughter. During the Great Patriotic War, she and her son went into evacuation to Yelabuga. There, driven by loneliness, unemployment and the tragic fate of her loved ones, Marina Ivanovna committed suicide by hanging herself on August 31, 1941 and leaving a suicide note to her son: “Forgive me, but it would have been worse. I’m seriously ill, this is not me anymore. I love you.” "You're crazy. Understand that I couldn't live anymore. Tell dad and Alya - if you see - that you loved them until the last minute, and explain that you were in a dead end." She was buried in the cemetery in Yelabuga. The son, Georgy, died 3 years later in 1944 from a bullet wound.
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Mari na Ivanovna Tsveta Eva (September 26 (October 8) 1892, Moscow, Russian Empire - August 31, 1941, Elabuga, USSR) - Russian poetess, prose writer, translator, one of the largest Russian poets of the 20th century.
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Marina Tsvetaeva was born on September 26 (October 8), 1892 in Moscow, on the day when the Orthodox Church celebrates the memory of the Evangelist John the Theologian. This coincidence is reflected in several of the poet’s poems. The rowan tree lit up with a red brush. Leaves fell, I was born. Hundreds of Bells argued. The day was Saturday: John the Theologian.
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Her father, Ivan Vladimirovich, is a professor at Moscow University, a famous philologist and art critic; later became director of the Rumyantsev Museum and founder of the Museum of Fine Arts.
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Mother, Maria Alexandrovna Main (by origin - from a Russified Polish-German family), was a pianist, a student of Anton Rubinstein. Her mother had a huge influence on Marina and on the formation of her character. She dreamed of seeing her daughter become a musician.
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After her mother's death from consumption in 1906, Marina and her sister Anastasia were left in the care of their father. Anastasia (left) and Marina Tsvetaeva. Yalta, 1905. ...The azure island of childhood is becoming paler, We are standing alone on the deck. Apparently, you left sadness as a legacy, oh mother, to your girls!
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Tsvetaeva's childhood years were spent in Moscow and Tarusa. Due to her mother's illness, she lived for long periods in Italy, Switzerland and Germany. “House of Tjo” was purchased in 1899 by M. Tsvetaeva’s maternal grandfather A.D. Maine. After his death, his second wife, whom the young Marina and Asya nicknamed “Tyo,” lived in the house for the last 20 years of her life. Tyo from “aunt”, since it was not her own grandmother who told her to call her aunt. The nickname “Tyo” also transferred to the house. Marina and Anastasia Tsvetaev lived in this house during their winter visits to Tarusa in 1907-1910.
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Marina Ivanovna received her primary education in Moscow, at the private women's gymnasium M. T. Bryukhonenko. She continued it in boarding houses in Lausanne (Switzerland) and Freiburg (Germany). At the age of sixteen, she took a trip to Paris to attend a short course of lectures on Old French literature at the Sorbonne.
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In 1910, Marina published (in the printing house of A. A. Levenson) with her own money the first collection of poems - “Evening Album”. (The collection is dedicated to the memory of Maria Bashkirtseva, which emphasizes its “diary” orientation). “This book is not only a sweet book of girlish confessions, but also a book of beautiful poems” N. Gumilyov
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The “Evening Album” was followed two years later by a second collection, “The Magic Lantern.” Tsvetaeva's early work was significantly influenced by Nikolai Nekrasov, Valery Bryusov and Maximilian Voloshin (the poetess stayed at Voloshin's house in Koktebel in 1911, 1913, 1915 and 1917). In 1913, the third collection, “From Two Books,” was published.
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I defiantly wear his ring Yes, a wife in eternity, not on paper! - His excessively narrow face is like a sword... His mouth is silent, with corners down, His eyebrows are painfully magnificent. In his face two ancient bloods tragically merged... In his face I am faithful to chivalry, To all those who lived and died without fear! - Such - in fatal times - They compose stanzas - and go to the chopping block. June 3, 1914 In 1911, Tsvetaeva met her future husband Sergei Efron.
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On January 27, 1912, the wedding of Marina Tsvetaeva and Sergei Efron took place. In the same year, Marina and Sergei had a daughter, Ariadna (Alya).
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In the summer of 1916, Tsvetaeva arrived in the city of Alexandrov, where her sister Anastasia Tsvetaeva lived with her common-law husband Mavrikiy Mints and son Andrei. In Alexandrov, Tsvetaeva wrote a series of poems (“To Akhmatova,” “Poems about Moscow,” and other poems), and literary scholars later called her stay in the city “Marina Tsvetaeva’s Alexandrov Summer.” The Tsvetaeva sisters with children, S. Efron, M. Mints (standing on the right). Alexandrov, 1916
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In 1914, Marina met the poetess and translator Sofia Parnok; their romantic relationship continued until 1916. Tsvetaeva dedicated the cycle of poems “Girlfriend” to Parnok. Tsvetaeva described her relationship with Parnok as “the first disaster in her life.”
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In 1917, Tsvetaeva gave birth to a daughter, Irina, who died of starvation in an orphanage in Kuntsevo (then in the Moscow region) at the age of 3 years. The years of the Civil War turned out to be very difficult for Tsvetaeva. Sergei Efron served in the White Army. Marina lived in Moscow, on Borisoglebsky Lane. During these years, the cycle of poems “Swan Camp” appeared, imbued with sympathy for the white movement. Ariadne (left) and Irina Efron. 1919 House in Borisoglebsky Lane, 6, in which M. Tsvetaeva lived from 1914 to 1922
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In May 1922, Tsvetaeva and her daughter Ariadna were allowed to go abroad to join her husband, who, having survived the defeat of Denikin as a white officer, had now become a student at the University of Prague. At first, Tsvetaeva and her daughter lived for a short time in Berlin, then for three years on the outskirts of Prague. Homesickness! A long-debunked problem! I don’t care at all - Where to be completely alone, over what stones to walk home with a market purse To a house that doesn’t know what is mine, Like a hospital or a barracks... 1934 Marina Tsvetaeva in 1924
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In 1925, after the birth of their son George, the family moved to Paris. Moore (Georgy Sergeevich Efron), son of Marina Tsvetaeva. Paris, 1930s. M.I. Tsvetaeva with her husband and children, 1925
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Most of what Tsvetaeva created in exile remained unpublished. In 1928, the poetess’s last lifetime collection, “After Russia,” was published in Paris, which included poems from 1922-1925. Later, Tsvetaeva writes about it this way: “My failure in emigration is that I am not an emigrant, that I am in spirit, that is, in air and in scope - there, there, from there...”.
