Yesenin Sergey - hands of a sweetheart and a pair of swans. Analysis of Yesenin's poem Hands of a cute pair of swans Hands of a cute pair of swans Yesenin

"Hands of a sweetheart - a pair of swans ..." Sergei Yesenin

Sweet hands - a pair of swans -
Dive into the gold of my hair.
Everything in this world of people
The song of love is sung and repeated.

I sang and I was once far away
And now I sing about the same thing again
That's why I breathe deeply
Tenderness impregnated word.

If you love the soul to the bottom,
The heart will turn into a block of gold,
Only Tehran moon
Will not warm the songs with warmth.

I don't know how to live my life
Whether to burn out in the caresses of the sweet Steps
Or under old age anxiously grieve
About past song courage?

Everything has its own gait:
What is pleasing to the ear, what is to the eye.
If a Persian composes a bad song,
So he is never from Shiraz.

About me and for these songs
Talk like this among people:
He would sing more tenderly and more wonderfully,
Yes, killed a couple of swans.

Analysis of Yesenin's poem "Hands of a sweetheart - a pair of swans ..."

Driven by an interest in oriental poetry, Yesenin longed to visit Tehran, then Istanbul, but the plans were not destined to come true. The famous Persian cycle was born during the author's stay in the Soviet Caucasus in 1924-1925. The beautiful Shagane has become the central image of the creations, covered with charming and mysterious oriental exoticism. The imaginary Persian woman has a real prototype - the Armenian arithmetic teacher Shagane Talyan, whom the poet met in Batum.

In Persian poems, the image of a swan, traditional for Yesenin's poetics, is endowed with a new meaning. Dating back to numerous legends about the swan-maiden, it is associated with the hands of a beautiful woman, her harmonious and graceful movements. The "swan arms" of an oriental beauty, similar to wings, appear in the text "" In the analyzed work, the expressive image develops, being identified with the charm of the beloved and the captivating power of high feeling.

What does “sweet Step” appear in the eyes of her chosen one? Faithful, delicate and affectionate, able to calm the anxiety in the soul of the lyrical "I". The hero, fascinated and inspired by the bride, composes a song from living, “tenderly saturated” words - his own contribution to the universal and eternal “song of love”, which serves as the basis of a harmonious world.

The quivering idyllic feeling that connected the lyrical couple is akin to a rare jewel. This idea is emphasized by the golden range of color shades, leading in artistic text. The first mention is associated with a specific characteristic of the appearance of the subject of speech, the second is a component of the allegorical series about the heart and soul, flowery and thoughtful in an oriental way.

The content of the fourth quatrain violates the peaceful intonations that prevailed in the first part. The hero decides to report his doubts. In the depths of his soul, two hypostases are fighting, two important roles - a brave poet and a tender lover. Which one to give away the remaining years? The rhetorical question contains a hint of an answer, as if dictated by an oriental sage: it is ridiculous “in old age” to be sad about the unfulfilled, exchanging fun for despondency.

The internal conflict is resolved in the last quatrain. The lyrical “I” prefers the inner harmony of intimate relationships, the affectionate support of the beloved woman’s hands-swans, to the former “song courage” and a big name.

Please write an analysis of Yesenin's poem "Dear hands, a pair of swans", or at least a link to the site

1. Yesenin cycle Persian motifs. which includes such works as Shagane you are mine, Shagane. The hands of a cute pair of swans and others, reveal to us the feeling of love, inspired and light, which in nm is the main subject of the image. His heroines are beautiful, like their amazing homeland Persia, the country of grz, the country of a fairy tale, an oriental saffron paradise with opal skies. Yesenin is interested in various shades and variants of love feelings: jealousy, sadness, love languor, betrayal, lovemaking.

Hands of a cute pair of swans. Its theme is love, like the rest of the poems from the cycle of Persian motifs. but this love is unhappy, and this is confirmed by the words:

He would sing more tenderly and more wonderfully,

Yes, killed a couple of swans.

It seems to me that the idea of ​​this poem is that if people sing beautifully about love. it does not mean at all that they know about chm sing.

Everything in this world of people

The song of love is sung and repeated.

People sing about love, about happiness, not yet knowing that grief can happen. As we know, 1925 was the last year in the life of Sergei Yesenin, and since his poems contain a lot of autobiography, it can be assumed that he was unhappy because of love. She ruined him.

live internet live internet

hands of a cute pair of swans.

Anna Izryadnova is the first beloved of the poet. He was then only 17 years old. In this (civil) marriage, Yesenin had a son.

In the spring of 1917, two homeless poets, Sergei Yesenin and Alexei Ganin, spent the night at the editorial office of the newspaper Delo Naroda and became friends with typist Zina Reich. She went with them on a steamboat to Solovki. Zinaida paid for the trip - the poets had no money. After a trip to Solovki, Sergei and Zinaida got married. Zinaida Reich - a revolutionary, a friend of Meyerhold, fell in love with Yesenin, was his wife, gave birth to his daughter Tanyusha!

Reich herself left Yesenin, because Sergei met Isadora in 1921, a year after his separation from Zinaida. Zinaida became an actress of the famous Meyerhold Theater. Zinaida Reich wrote a letter to Stalin, asking him to tell honestly about the death of Sergei Yesenin. A year later, in 1937, Reich was barbarously murdered, stabbed to death ..; however, the death of Sergei Yesenin himself is a crime of the century. His head was shot. someone tried to pass off the murder as a suicide. ; the poet was found hanged near the stove, and the wound on his forehead was charred from the temperature of the stove, as his face touched it. It happened in Stalin's times.

It was after a three-year romance with Reich, in one of the Moscow mansions, in 1921, Yesenin met the dancer Isadora Duncan, who was invited to Moscow by the Soviet government to create her own studio. Isadora was 17 years older than Sergei Yesenin. She loved him madly, suffered, worried when the poet drank a lot; a year and a half of painful family life undermined the strength and health of both Isadora died in 1938 in Nice, the long wardrobe of the dancer wound around the axle of the car and instantly suffocated her.

It is possible that the poet married the granddaughter of Leo Tolstoy, Sofya Andreevna, also because of love. Without divorcing Isadora Duncan, he (Yesenin) took Sophia away from his friend, prose writer Boris Pilnik. The marriage lasted less than a year, with Yesenin spending a month in the psychiatric hospital of Dr. Gannushkin. Sophia loved Yesenin! She said that some types, drunk and dirty, constantly visited their house. They slept on the couch, or beds, ate and drank and used Yesenin's money. But Sonya had no new shoes, boots, nothing new, everything was old, demolished. Returning from the psychiatric hospital, Yesenin stopped by Sofya to pick up his things; and went straight from there to Leningrad, where a few days later he would be found hanged in a room at the Angleterre Hotel. Sofya Tolstaya, Yesenin's last lover, devoted her life to the creation of two museums - her husband and her great grandfather. passed away in 1957.

Based on books and newspapers. Jani Sit

The most beloved and dear for the poet was his mother.

I'm still so gentle

And I only dream about

So that rather from rebellious longing

Return to our low house.

(Excerpt from the poem *Letter to mother*)

So kiss me, kiss me

Whether it's blood or pain.

Out of tune with the cold will

Boiling water of heart jets.

Among the merry is not for us.

Understand my friend

On earth they live only once!

Look around with calm eyes

Look: in the darkness damp

The moon is like a yellow raven

Circling, hovering above the ground.

Well, kiss me! So I want.

The song of decay sang to me.

You can see my death felt

The one who climbs in the sky.

Until the end of my dear lips

I would like to kiss.

So that all the time in blue dreams,

Not ashamed and not melting,

In the gentle rustle of bird cherry

It was heard: "I am yours."

And so that the light over a full mug

Not extinguished with light foam -

Drink and sing, my friend:

On earth they live only once!

Sweetheart's hands are a pair of swans. Sergey Yesenin

Sweet hands - a pair of swans -

Dive into the gold of my hair.

Everything in this world of people

The song of love is sung and repeated.

I sang and I was once far away

And now I sing about the same thing again

That's why I breathe deeply

Tenderness impregnated word.

If you love the soul to the bottom,

The heart will become a lump of gold.

Only Tehran moon

Will not warm the songs with warmth.

I don't know how to live my life

Whether to burn out in the caresses of the sweet Steps

Or under old age anxiously grieve

About past song courage?

Everything has its own gait:

What is pleasing to the ear, what is to the eye.

If a Persian composes a bad song,

So he is never from Shiraz.

About me and for these songs

Talk like this among people:

He would sing more tenderly and more wonderfully,

Yes, killed a couple of swans.

Sergei Alexandrovich Yesenin

Sweet hands - a pair of swans -
Dive into the gold of my hair.
Everything in this world of people
The song of love is sung and repeated.

I sang and I was once far away
And now I sing about the same thing again
That's why I breathe deeply
Tenderness impregnated word.

If you love the soul to the bottom,
The heart will turn into a block of gold,
Only Tehran moon
Will not warm the songs with warmth.

I don't know how to live my life
Whether to burn out in the caresses of the sweet Steps
Or under old age anxiously grieve
About past song courage?

Everything has its own gait:
What is pleasing to the ear, what is to the eye.
If a Persian composes a bad song,
So he is never from Shiraz.

About me and for these songs
Talk like this among people:
He would sing more tenderly and more wonderfully,
Yes, killed a couple of swans.

Driven by an interest in oriental poetry, Yesenin longed to visit Tehran, then Istanbul, but the plans were not destined to come true. The famous Persian cycle was born during the author's stay in the Soviet Caucasus in 1924-1925.

Sergei Yesenin in the Caucasus (center)

The beautiful Shagane has become the central image of the creations, covered with charming and mysterious oriental exoticism. The imaginary Persian woman has a real prototype - the Armenian arithmetic teacher Shagane Talyan, whom the poet met in Batum.

Shagane Talyan

In Persian poems, the image of a swan, traditional for Yesenin's poetics, is endowed with a new meaning. Dating back to numerous legends about the swan-maiden, it is associated with the hands of a beautiful woman, her harmonious and graceful movements. The “swan hands” of an oriental beauty, similar to wings, appear in the text “I have never been to the Bosphorus ...”. In the analyzed work, the expressive image is developed, identified with the charm of the beloved and the captivating power of high feeling.

What does “sweet Step” appear in the eyes of her chosen one? Faithful, delicate and affectionate, able to calm the anxiety in the soul of the lyrical "I". The hero, fascinated and inspired by the bride, composes a song from living, “tenderly impregnated” words - his own contribution to the universal and eternal “song of love”, which serves as the basis of a harmonious world.

The quivering idyllic feeling that connected the lyrical couple is akin to a rare jewel. This idea is emphasized by the golden gamut of color shades, which is the leader in the artistic text. The first mention is associated with a specific characteristic of the appearance of the subject of speech, the second is a component of the allegorical series about the heart and soul, flowery and thoughtful in an oriental way.

The content of the fourth quatrain violates the peaceful intonations that prevailed in the first part. The hero decides to report his doubts. In the depths of his soul, two hypostases are fighting, two important roles - a brave poet and a tender lover. Which one to give away the remaining years? The rhetorical question contains a hint of an answer, as if dictated by an oriental sage: it is ridiculous “in old age” to be sad about the unfulfilled, exchanging fun for despondency.

The internal conflict is resolved in the last quatrain. The lyrical “I” prefers the inner harmony of intimate relationships, the affectionate support of the beloved woman’s hands-swans, to the former “song courage” and a big name.

Sergey Yesenin

Sweet hands - a pair of swans -
Dive into the gold of my hair.
Everything in this world of people
The song of love is sung and repeated.

I sang and I was once far away
And now I sing about the same thing again
That's why I breathe deeply
Tenderness impregnated word.

If you love the soul to the bottom,
The heart will become a lump of gold.
Only Tehran moon
Will not warm the songs with warmth.

I don't know how to live my life
Whether to burn out in the caresses of the sweet Steps
Or under old age anxiously grieve
About past song courage?

Everything has its own gait:
What is pleasing to the ear, what is to the eye.
If a Persian composes a bad song,
So he is never from Shiraz.

About me and for these songs
Talk like this among people:
He would sing more tenderly and more wonderfully,
Yes, killed a couple of swans.

Yesenin Sergey Alexandrovich (1895-1925)

Yesenin! golden name. The murdered boy. The genius of the Russian land! None of the Poets who came into this world possessed such spiritual power, charming, all-powerful, soul-grabbing childish openness, moral purity, deep pain-love for the Fatherland! So many tears were shed over his poems, so many human souls sympathized and empathized with every Yesenin line, that if it were calculated, Yesenin's poetry would outweigh any and much more! But this method of evaluation is not available to earthlings. Although one could see from Parnassus - the people have never loved anyone so much! With Yesenin's poems they went to battle in the Patriotic War, for his poems they went to Solovki, his poetry excited souls like no other ... Only the Lord knows about this holy love of the people for their son. Yesenin's portrait is squeezed into wall-mounted family photo frames, put on a shrine on a par with icons ...
And not a single Poet in Russia has yet been exterminated or banned with such frenzy and perseverance as Yesenin! And they forbade, and hushed up, and belittled in dignity, and poured mud on them - and they still do it. Impossible to understand why?
Time has shown: the higher the Poetry with its secret lordship, the more embittered the envious losers, and the more imitators.
About one more great God's gift of Yesenin - he read his poems as uniquely as he created them. They sounded so in his soul! All that was left was to say it. Everyone was shocked by his reading. Note that great poets have always been able to recite their poems uniquely and by heart - Pushkin and Lermontov... Blok and Gumilyov... Yesenin and Klyuev... Tsvetaeva and Mandelstam... So, young gentlemen, a poet mumbling his lines from a piece of paper from the stage is not a Poet, but an amateur... A poet may not be able to do many things in his life, but not this!
Last poem"Goodbye, my friend, goodbye ..." - another secret of the Poet. In the same 1925 there are other lines: “You don’t know what life is worth living!”

Yes, in the deserted city lanes, not only stray dogs, "smaller brothers", but also big enemies listened to Yesenin's light gait.
We must know the true truth and not forget how childishly his golden head tossed back ... And again his last gasp is heard:

"My dear, good-roshie ..."